Sigma’s EM-140 DG ring flash builds in some of the features we’ve become used to with modern speedlights, like TTL and high-speed sync. Here’s my take on it.
The Yongnuo YN685 TTL flash works much the same as many other flashes, but there are some quirks to using it, especially wirelessly. Here are some tips.
There are a lot of videos on places like Youtube and Vimeo showing how to use off-camera flash, but some are definitely better than others. Gavin Hoey’s Fearless Flash Photography with Speedlights series is one of the best I’ve come across.
The Bolt VM-210 is a macro light with two light sources on flexible arms. It might look like some kind of bug with two antennas hanging out over the lens, but it’s a very versatile approach to macro lighting.
Bolt’s VX-760 flash is a portable strobe that aims to be a cost-effective alternative to the Nikon and Canon speedlights. Here’s my review.
Scott Kelby is out with a new book that serves as a concise introduction to getting comfortable with using a flash.
Here’s my hands-on review of the Lumix S1, a new full-frame mirrorless camera from Panasonic.
Here are some side-by-side comparisons of the Lumix S1’s high ISO performance from ISO 3200 through ISO 204800.
Here’s a collection of sample images I’ve taken with the new Lumix S1 mirrorless camera from Panasonic.
I’ve recently been out shooting with the new Lumix S 24-105mm ƒ/4 on the also-new Lumix S1 full-frame mirrorless camera. Here are some images taken with the combination with an emphasis on examples showing how the lens performs in real-world shooting.
I’ve recently been out shooting with the new Ricoh GR III high-end compact camera. For good reason, the GR range cameras have a cult following with street photographers and travel photographers. Here’s a collection of high-resolution sample images I’ve taken with it.
If you need to filter out just the portrait (vertical), landscape (horizontal), or square images, you can use the Aspect Ratio filter criteria.
You can change the color of the space behind single images in Lightroom. That can be simply a matter of preference or used as a visualization tool
HDR is traditionally all about the drama. But it doesn’t have to be all about overly saturated and uber dramatic images. The tone-mapping tools built into apps like Photomatix and Aurora HDR 2019 can be useful for making otherwise blah photos more interesting and perhaps salvaging them as keepers.
Changing the thumbnail image used for videos in Lightroom can be a handy way to provide a more useful visual reference point when you’re trying to find the video you’re after. Here’s how to do it.
Lightroom doesn’t have much in the way of editing tools when working with video files, but it does have the ability to trim the beginning or end of video clips.
There’s a good chance you’ll be wanting to take your GoPro in the water. But you’ll find out pretty quickly that GoPros don’t float. So here’s a rundown of options for keeping your GoPro afloat.
If you’re looking to mount a GoPro on a tripod, here’s a rundown of the various types of tripod conversion adapters that you can get to be able to use any GoPro on any tripod.
Trying to choose between the Akaso EK7000 and EK7000 Pro? Here’s a rundown of how they compare.
If your underwater photos are coming out blue and with washed-out colors, a good option is to add an underwater filter. There are several approaches; Backscatter’s Flip7 is unique and convenient.
The GoPro Super Suit adds extra protection and lets you take your GoPro much deeper than the built-in waterproof protection. Here’s when and how to use it.