You can't use Linear FOV with GoPro RAW files, but here's a workaround that lets you get something very close to it using Lightroom.
If you want to shoot in GoPro’s RAW photo format (.gpr), you’re limited to shooting in the Wide field of view mode. The Linear field of view, which corrects for the fisheye distortion of the GoPro lens, is only available when you shoot in JPG.
But there are good reasons that many people, myself included, much prefer to shoot in the RAW file format offered in newer cameras like the HERO7 Black.
GoPro has a new deal offering $150 off either the GoPro HERO8 Black or the MAX when you bundle it with a 1-year subscription to GoPro PLUS.
GoPro PLUS includes unlimited cloud storage of your GoPro photos and footage, discounted rates for replacing damaged cameras, and up to 50% off GoPro mounts and accessories.
The up-front cost is $249.99 for the HERO8 Black and $349.99 for the MAX. You start with a 30-day free trial of GoPro PLUS, and will then be charged $49.99 per year after that. They're also throwing in a free SD card and 2-day shipping.
You can find the deal at GoPro.com.
So here’s a workaround that lets you apply linear FOV, or something very close to it, to GoPro’s RAW photo format.
This method uses Lightroom’s Lens Corrections feature. It’s pretty straightforward, but here’s a quick rundown.
Open the GPR file in Lightroom’s Develop module, as you normally would. In the set of panels to the right, scroll down to the Lens Corrections panel. Make sure that the Profile tab is checked at the top.
Check the box next to Enable Profile Corrections. So long as you’re using a fairly recent version of Lightroom, it should have GoPro lens profiles built-in and detect them automatically.
The adjustments to the FOV are made with the Distortion slider. By default, it will start at 100, which results in a field of view similar to GoPro’s built-in Linear FOV. You can see in this example that the horizon has been mostly, but not completely straightened, and some of the image has been cropped from each side.
Even though it’s not perfectly identical, there’s a big benefit to doing it here rather than using GoPro’s own version: you can have control over how aggressively to apply the distortion correction. Simply drag the slider left for less correction or right for more correction. Like this:
The distortion correction algorithms that Lightroom uses are similar but not identical to the in-camera algorithms of GoPro’s Linear FOV. But they’re similar enough for most uses, and the added flexibility is a bonus.
This method obvious relies on you using Lightroom. Some other RAW processing apps have similar functionality.
If you need to apply the same distortion correction to multiple photos, perhaps shot in a sequence, you can easily do that with Lightroom’s Sync Settings function.
This post was last modified on September 6, 2019 4:42 pm