Nikon D5600 Wide-Angle Lens Recommendations

Here are some recommendations for wide-angle, ultra-wide, and fisheye lenses that will work well on a Nikon D5600.

Tran Quoc Pagoda Hanoi Monk Praying
Text & Photos By David Coleman
Last Revised & Updated:

I MAY get commissions for purchases made through links in this post.

If you’ve spent much time on my site before, you’ve probably noticed that I’m a big fan of wide-angle lenses. I tend to reach for them more than any other lens for my travel photography.

There are a lot of things I like about them.

  • I like that they can really capture more of a place, whether that’s the interior of some magnificent cathedral or mosque, a bustling urban waterfront, or an artisan surrounded by their workshop.
  • I like that they can often be used in lower light than tighter focal lengths because they’re less susceptible to camera shake. That is, you can get away with a lower ISO and slower shutter speed than you could with a telephoto in the same lighting conditions.
  • I like that they can be more forgiving for focus, with a naturally deeper depth of field.
  • And I like that they encourage you to get in close, giving a much more connected feel to the image.

For all these reasons, wide-angle lenses probably spend more time on my camera than any other type, and over the years, I’ve used a bunch of them.

So I’d argue that a wide-angle lens would easily make a strong argument to include among the best lenses for a Nikon D5600 kit. And if you’re looking to expand your lens selection to include a wide-angle lens for Nikon D5600, below are some practical suggestions of lenses that I think are worth a look.

Lenses Mentioned in This Post

If you just want to cut to the chase, these are the lenses mentioned in this post.

Nikon AF-P DX NIKKOR 10-20mm ƒ/4.5-5.6G IF VR Wide-Angle Zoom Lens
  • Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR Zoom Lens - LC-72 72mm Snap-On Front Lens Cap - LF-4 Rear Lens...
  • Ultra-wide-angle view that surpasses any kit lens and lets you get creative with composition
Sigma 10-20mm ƒ/3.5 EX DC HSM ELD SLD Wide-Angle Zoom Lens for Nikon F
  • Ultra wide-angle of view with large maximum aperture of F3.5
  • Sharp images with high contrast and superior peripheral brightness
Tokina ATX-i 11-16mm ƒ/2.8 Wide-Angle Zoom Lens
  • New design & lens coating for better perfromances
  • Item Package Quantity: 1
Nikon AF DX NIKKOR 10.5mm f/2.8G ED Fisheye Lens
  • Lens not zoomable
  • DX-Nikkor reduces the diameter of the lens' image circle, allowing a range of lenses with practical size...
Nikon AF-S DX NIKKOR 10-24mm ƒ/3.5-4.5G ED Wide-Angle Zoom Lens
  • Ideal for landscapes, cityscapes, interiors, architecture and more.
  • Focal Length : 10- 24 mm, Close focusing to 0.8 feet
Nikon AF-S NIKKOR 12-24mm ƒ/4G IF-ED Wide-Angle Zoom Lens
  • 12 to 24 millimeter autofocus zoom lens with f/4 maximum aperture for Nikon digital SLR cameras
  • 2 Extra Low Dispersion (ED) glass elements and 3 aspherical lens elements for superior optics

You can find much more information about them below along with some example images I’ve shot with them.

Wide-Angle Lens Strengths & Weaknesses

There are some things that wide-angle lenses are particularly good for:

  • Landscape photography
  • Architectural photography
  • Travel photography
  • Adding drama
  • Adding broad context
  • Capturing grand interiors
  • Cityscapes

But there are also things that wide-angle lenses are not well-suited to:

  • Closely-cropped portraits. That’s not to say that wide-angle lenses can’t be used for portraits. Some of them can be excellent for shooting environmental portraits, where you want to capture other aspects of the location to help tell the story (aspherical wide-angle lenses tend to work better, but even with them you have to be careful with the stretching that you get near the edges of the frame). Think of a doctor in a hospital setting, or a welder in her workshop, or a painter in his studio, and so on. But they’re not good for conventional headshots. (As always in photography, there are exceptions. A good example is the portraiture of Platon Antoniou, which are striking and dramatic but doesn’t fall into the traditional look.)
  • Wildlife. It’s often not possible or desirable to get close to wildlife. You probably wouldn’t take only a wide-angle lens on safari, for example. (Again, there are always exceptions: example 1; example 2; example 3).

About These Recommendations

But first I want to clarify what these recommendations are and aren’t. I’m not trying to provide a laundry list of every wide-angle lens that’s compatible with the Nikon D5600. Nor am I going to recommend super-expensive lenses that, while they’ll work well, aren’t a logical pairing with the Nikon D5600. I’m also emphasizing autofocus lenses here–there are plenty of good older and manual-focus lenses as well, but those are beyond the scope of this post.

So what is a wide-angle lens? The threshold for what makes a lens wide-angle is quite subjective. You could argue, for instance, that the 18-55mm or 18-140mm kit lenses that often come with the D5600 are wide-angle. When they’re zoomed out to 18mm (which is 27mm on a full-frame sensor) they are respectably wide.

But I’m focusing on here not so much on replacing those lenses with better ones, but rather on lenses that offer something different from them so that you can get different kinds of shots. Nikon’s 16-85mm, for instance, would give you slightly more reach on both ends of the zoom, and it’s an optically superior lens, but it’s not going to be a huge difference in perspective and framing—particularly on the wide end—from the 18-55mm.

I tend to regard around 30-35mm (in 35mm equivalent) as the threshold. Lenses in the 40mm to 60mm range are often considered “normal” perspective, while anything over that heads into telephoto territory.

Sigma 10-20mm Wide-Angle Zoom

This has been one of Sigma’s very popular lenses for a long time. And for good reason. It was one of the first lenses to bring in an ultra-wide focal length at very competitive pricing. It’s small and compact and well built.

Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical Super Wide Angle Lens for...
  • Ultra wide-angle of view with large maximum aperture of F3.5
  • Sharp images with high contrast and superior peripheral brightness

On a Nikon D5600’s DX sensor, the 10-20mm is the equivalent of a 15-30 on a full-frame (FX) camera. So it’s a very wide-angle lens. Or even ultra-wide, at least when zoomed out.

And it has aspherical elements. What that means is that you don’t get the heavy lens distortion that you get with a similar focal length in a fisheye lens (see below). So lines stay straight, including horizons. You do, however, get quite a lot of stretching around the edges, but that’s something you can factor into your framing and even accentuate for dramatic effect if you wish.

Find them at:

Note: There’s also a ƒ/4-5.6 version which has long been discontinued but still turns up used. It’s also a good option–just a bit slower than the ƒ/3.5 version.

Here are some photos I’ve taken with the Sigma 10-20mm on various Nikon DX bodies.

Lincoln Memorial wide-angle and blue sky
I took this with a Sigma 10-20mm wide-angle zoom lens in Washington DC. Photo by David Coleman / Have Camera Will Travel
Tran Quoc Pagoda Hanoi Monk Praying
I took this with a Sigma 10-20mm wide-angle zoom lens in Hanoi, Vietnam. Photo by David Coleman / Have Camera Will Travel
Main hall of Smithsonian National Air and Space Museum
I took this with a Sigma 10-20mm wide-angle zoom lens in Washington DC. Photo by David Coleman / Have Camera Will Travel
Jazz trumpeter busking on the street
I took this with a Sigma 10-20mm wide-angle zoom lens in Washington DC. Photo by David Coleman / Have Camera Will Travel
Austin skyline with Austin City Limits guitar at night
I took this with a Sigma 10-20mm wide-angle zoom lens in Austin, Texas. Photo by David Coleman / Have Camera Will Travel
Kayaking Amongst Icebergs in Antarctica
I took this with a Sigma 10-20mm wide-angle zoom lens in Antarctica. The compact size of this lens made it a good option to have in the cramped and awkward quarters of a kayak. Photo by David Coleman / Have Camera Will Travel
Lincoln Memorial with tourists
I took this with a Sigma 10-20mm wide-angle zoom lens in Washington DC. Photo by David Coleman / Have Camera Will Travel
British Museum London
I took this with a Sigma 10-20mm wide-angle zoom lens in London. Photo by David Coleman / Have Camera Will Travel
Sample wide-angle photo
I took this with a Sigma 10-20mm wide-angle zoom lens in Zihuatenejo, Mexico. Photo by David Coleman / Have Camera Will Travel
Gas station with blue sky
I took this with a Sigma 10-20mm wide-angle zoom lens in Kansas. Photo by David Coleman / Have Camera Will Travel

Nikon AF-P 10-20mm ƒ/4.5-5.6G VR

This super-wide zoom lens from Nikon is unusually affordable. Like the Sigma 10-20mm, it has aspherical elements but essentially the same super-wide view.

Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G IF VR ZoomLens - Bundle with 72mm...
  • Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR Zoom Lens - LC-72 72mm Snap-On Front Lens Cap - LF-4 Rear Lens...
  • Ultra-wide-angle view that surpasses any kit lens and lets you get creative with composition

Two features separate this version from the Sigma–one is a plus and one is a negative.

On the negative side, this lens is slower. The Sigma has a constant ƒ/3.5 maximum aperture through the zoom range. That means that the maximum aperture is ƒ/3.5 whether you’re fully zoomed in or fully zoomed out. The Nikon version has a maximum aperture of ƒ/4.5-5.6, What that means is that when you’re fully zoomed out, the aperture is ƒ/4.5, while when you’re fully zoomed in, the maximum aperture is ƒ/5.6. By itself, that would make this lens less suited to low-light shooting than the Sigma, albeit only slightly.

But then there’s the other feature, which is a big positive: the Nikon lens has vibration reduction, which means that you can get an extra 2-3 stops (at least) without shaking ruining the photo. This essentially cancels out the slower maximum aperture, and then some. Vibration reduction, or VR, is pretty unusual on lenses this wide, and especially on ones at a low price point like this one. [1]

Check current price and availability at:

Alternative: Another good option is Nikon’s 10-24mm ƒ/3.5-4.5. It has slightly more on the zoomed-in end, has the same maximum aperture, doesn’t have vibration reduction, and yet is more expensive. But what you’re paying for here is an optically better lens, which translates to sharper images across more of the frame and less flare. Third-party manufacturer Tamron also has their own version of this lens, which is significantly cheaper than the Nikon version.

Tokina atx-i 11-16mm ƒ/2.8 CF Ultra-Wide Zoom Lens

Tokina isn’t a brand that comes up as often, but this lens stands out. It has an ultra-wide 11-16mm perspective, and it’s fast, with a maximum aperture of ƒ/2.8 (and a minimum of ƒ/22). Aspherical elements help minimize lens distortions. And with an MSRP of $349, it’s very affordably priced.

If you’re after a shade more flexibility, there’s also the Tokina atx-i 11-20mm ƒ/2.8 CF (not to be confused with the Cinema version, which is a very different lens at a very different price point). It’s more expensive and also bigger and heavier.

Check current price and availability at:

Tokina ATX-i 11-16MM CF F/2.8 Nikon
  • New design & lens coating for better perfromances
  • Item Package Quantity: 1

Nikon 10.5mm Fisheye

A fisheye is a special kind of wide-angle lens. It combines a super-wide perspective with heavy lens distortion.

It’s a niche look. It’s very dramatic look, and it’s also easy to overdo. But it can also be a lot of fun to shoot with and create some really unique and unusual perspectives. We’ve become more conditioned in recent years to the fisheye look thanks to the widespread use of it on GoPro and action camera videos.

Nikon AF DX NIKKOR 10.5mm f/2.8G ED Fixed Zoom Fisheye Lens with Auto Focus...
  • Lens not zoomable
  • DX-Nikkor reduces the diameter of the lens' image circle, allowing a range of lenses with practical size...

Nikon’s 10.5mm fisheye is small and compact. There’s no zoom–most (but not all) fisheye lenses don’t have zoom.

Fisheye lenses are especially good for:

  • grand interiors
  • close quarters
  • dramatic distortion
  • close action
Planes on Display at Smithsonian Air and Space Museum
Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens. I shot this several years ago at the Smithsonian’s Air and Space Museum. The Wall Street Journal published it as a half-page image.

For a specialty lens that’s relatively fast (maximum aperture of f/2.8), the Nikon 10.5mm is reasonably priced. It’s small and light and doesn’t take up much space in the camera bag.

But there’s also an important caveat to note when using this lens on this camera. And that is because the lens doesn’t have its own built-in autofocus motor–nor does the D5600 body–the autofocus will not work with this combination. You can still use the lens on this camera, but it will be manual focus and manual control. At the same time, the lack of autofocus is not as much of a dealbreaker on a fisheye lens because of the extraordinarily deep depth of field that ultra-wide fisheye focal lengths have naturally. This fisheye lens isn’t a fixed-focus lens, but it’s surprisingly easy to keep the subjects in focus.

You can find them at:

But it’s also one of those lenses that’s worth trying, but it’s not going to be one that every photographer reaches for regularly. A good way to try it out to see if it’s your cup of tea is by renting it. You can find them at LensProtoGo.

Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens.
Space Shuttle Enterprise
Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens.
Alington National Cemetery in the snow
Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens.
Clipper Flying Cloud
Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens.

I have some more photos I’ve taken with other fisheye lenses here and here.

Terms Used with Wide-Angle Lenses

35mm equivalent. The focal length refers to the distance that light rays converge in focus after passing through a lens. There’s complicated math involved, but our purposes here are much simpler. The focal length of a lens denotes whether it’s a wide-angle, normal, or telephoto. And if there’s a range (eg. 24-70mm), it’s a zoom lens.

But the complication with cameras like the D5600 and other DX cameras in Nikon’s range (or any other cropped-sensor cameras, for that matter) is that these cameras use a smaller sensor than a traditional full-frame sensor (which, in turn, is based on the old 35mm film standard–that’s where the “35mm equivalent” bit comes from). And that alters the math and the perspective.

The Nikon D5600 has what’s known as an APS-C sensor, which Nikon calls a DX sensor. (They call their full-frame sensors FX.) It’s smaller than a full-frame sensor, and so you need to multiply the focal length by 1.5x. For example, if a lens says it has a focal length of 10mm, when you put it on a D5600 you’ll get a view that’s equivalent to 15mm on a full-frame camera.

On the telephoto end, that usually works to our advantage, because you get more reach. A 200mm telephoto lens, for example, gives you the practical equivalent of 300mm on a full-frame camera. But on the wider end, it works against it.

Aspherical elements used in the design of the lens work to keep lines straight and minimize distortion. Contrast that with a regular fisheye lens, where nearly every line ends up bent. [2]

Chromatic Aberration / Purple Fringing. The corners and edges of the frame are hard for wide-angle lenses to get right. And because of the physics of the glass, you can often end up with different wavelengths getting out of alignment or becoming unfocused (aka soft). Cheaper, very wide lenses tend to suffer from this more.

Most image editing apps these days include corrections for chromatic aberration (also known as purple fringing) that you can apply in editing, and they often do a decent job. [3]

DSLR vs Z lenses. The Nikon D5600 is a DSLR (i.e., digital single-lens reflex) camera. Nikon SLRs and DSLRs have for decades used what’s known as an F-mount system to connect the lenses to the camera body.

In the past few years, Nikon has launched a mirrorless camera system that they’re calling the Z series. Lenses for those cameras are known as Z-mount lenses.

For the D5600, you want F-mount lenses. While it’s possible to get an adapter to put F-mount lenses on a Z-mount body, the reverse isn’t true (i.e., you can’t use a Z-mount lens on an F-mount body).

DX vs FX. Nikon calls its full-frame cameras FX cameras, and its APS-C cropped sensor cameras DX. The Nikon D5600 is in the DX range.

It’s often simpler (and cheaper) to stick with lenses that are specifically designed for DX cameras, but it’s not a requirement. For Nikon lenses, “DX” will be in the lens name. Other manufacturers might use a different code; Sigma, for example, uses “DC”.

FX lenses are also often (but not always) bigger and heavier. Nikon’s 14-24mm ƒ/2.8G lens, for example, is a wonderful lens (you can see some of the photos I’ve taken with it here), but it’s big, heavy, and expensive. It will work on a Nikon D5600 (multiply the focal length by 1.5x to get the effective focal length on the DX sensor), but it makes the most sense on a full-frame body.

Wrap Up

Something else I wanted to mention is that although I’m focusing here on using wide-angle lenses on the Nikon D5600 specifically, one of the great things about the DSLR system is that it doesn’t mean you can use these lenses only on the D5600.

In other words, if you decide to update to a newer camera model in the future, or upgrade to a higher model such as the D7500 or D500, these same lenses will remain good options that work on those cameras as well. So long as you stick to a DX-series Nikon DSLR body, you’re good to go. And with an FTZ mount adapter, you can use Nikon F-mount lenses on mirrorless Z-mount cameras as well. [4]

Best Wide Angle Lens for Nikon D5600 FAQs

What type of lens mount does the Nikon D5600 have?

The Nikon D5600 has a Nikon F-mount. So you can use F-mount lenses on it (usually designated by something like AF-S in the lens name), but you can’t use Z-mount lenses on it (and there’s no adapter available to make that combination work).

The D5600 has a DX cropped-sensor. So lenses designed for DX cameras are ideal, although many FX lenses will also work.

What is a wide-angle lens?

There really aren’t any strict lines designating what is an ultra-wide or a wide-angle lens, but in general, a focal length of anything less than around 35mm might be considered wide. Anything under 20mm is often considered ultra-wide.

  1. There’s another advantage: Nikon’s new AF-P lenses use a special Stepping Motor that is quieter and smoother with its autofocus. The “P” stands for pulse, referring to the method of driving the autofocus motor. This technology is less important to stills photography and is mainly relevant to shooting video, where smooth and quiet autofocus is especially important.[]
  2. Aspheric lenses are optical lenses that have a non-spherical curvature to reduce aberrations and improve image quality. They are used in various applications such as cameras, telescopes, and eyeglasses. Aspheric lenses can be made from different materials and can have different shapes depending on their intended use. They are designed using advanced computer software and are manufactured using precision techniques to ensure accuracy and consistency. Aspheric lenses offer several advantages over traditional spherical lenses, including improved image quality, reduced distortion, and increased light transmission.[]
  3. Chromatic aberration is a type of distortion that occurs in optical systems, where different wavelengths of light are refracted differently, causing colors to appear at different positions or with different magnifications. It is a common problem in lenses and can negatively affect image quality. There are several types of chromatic aberration, including longitudinal and transverse chromatic aberration, and it can be corrected through various methods such as the use of achromatic lenses or specialized coatings.[]
  4. Most DX lenses can also be used on Nikon FX DSLRs, but there will be limitations on the amount of frame covered–you will likely have to put the camera into DX mode and settle for reduced resolution.[]

Images and product information from Amazon PA-API were last updated on 2024-02-28 at 01:20. Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon Site at the time of purchase will apply to the purchase of this product.

Profile photo of David Coleman | Have Camera Will Travel | Washington DC-based Professional Photographer

David Coleman

I'm a professional photographer based in Washington, DC. Seven continents, up mountains, underwater, and many places in between. I've been shooting for 30+ years, and my photos and time-lapse videos have appeared in a bunch of different publications, from major newspapers to magazines and books, billboards, TV shows, professional sports stadiums, museums, and even massive architectural scrims covering world-famous buildings while they're being renovated. You can see some of my travel photography here and here.