Nikon D7000 Wide-Angle Lens Recommendations

Here are some recommendations for wide-angle lenses for your Nikon D7000 DSLR.

Scuba Divers on Great Barrier Reef Split Shot with Boat
Text & Photos By David Coleman
Last Revised & Updated:

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Quick Summary

  • Wide-angle lenses are ideal for capturing expansive scenes, interiors, and dramatic perspectives with the Nikon D7000 DSLR.
  • The Sigma 10-20mm offers a super-wide focal length at competitive pricing, producing straight lines with minimal distortion.
  • Nikon’s 10-20mm ƒ/4.5-5.6G VR is an affordable super-wide zoom with vibration reduction, compensating for its slower aperture.
  • Tokina atx-i 11-16mm ƒ/2.8 CF stands out for its ultra-wide perspective and fast aperture at an affordable price.
  • Nikon’s 10.5mm Fisheye lens provides a unique, dramatic look, suitable for grand interiors and close action.
  • The Nikon AF-S DX Nikkor 12-24mm ƒ/4G IF-ED is a higher-priced option, offering sharp images and versatility for various shooting scenarios.

If you’ve spent much time on my site before, you’ve probably noticed that I’m a big fan of wide-angle lenses. I tend to reach for them more than any other lens for my travel photography. And I’ve spent a lot of time shooting with wide-angle lenses on my Nikon D7000 (you can see some examples below).

There are a lot of things I like about wide-angle lenses.

  • I like that they can really capture more of a place, whether that’s the interior of some magnificent cathedral or mosque, a bustling urban waterfront, or an artisan surrounded by their workshop.
  • I like that they can often be used in lower light than tighter focal lengths because they’re less susceptible to camera shake. That is, you can get away with a lower ISO and lower shutter speed than you could with a telephoto in the same lighting conditions.
  • And I like that they encourage you to get in close, giving a much more connected feel to the image.
  • I like that they can be more forgiving for focus, with a naturally deeper depth of field.

For all these reasons, wide-angle lenses probably spend more time on my camera than any other type, and over the years, I’ve used a bunch of them.

If you’re looking to expand your lens selection to include a wide-angle lens for your Nikon D7000, below are some practical suggestions of lenses worth looking at.

Wide-Angle Lens Strengths & Weaknesses

There are some things that wide-angle lenses are particularly good for:

  • Landscape photography
  • Architectural photography
  • Travel photography
  • Adding drama
  • Adding broad context
  • Capturing grand interiors
  • Cityscapes

But there are also things that wide-angle lenses are not well-suited to:

  • Closely-cropped portraits. That’s not to say that wide-angle lenses can’t be used for portraits. Some of them can be excellent for shooting environmental portraits, where you want to capture other aspects of the location to help tell the story (aspherical wide-angle lenses tend to work better, but even with them you have to be careful with the stretching that you get near the edges of the frame). Think of a doctor in a hospital setting, or a welder in her workshop, or a painter in his studio, and so on. But they’re not good for conventional headshots (as always in photography, there are exceptions. A good example is the portraiture of Platon Antoniou, which are striking and dramatic but don’t fall into the traditional look).
  • Wildlife. It’s often not possible or desirable to get close to wildlife. You probably wouldn’t take only a wide-angle lens on safari, for example. (Again, there are always exceptions: example 1; example 2).

About These Recommendations

But first I want to clarify what these recommendations are and aren’t. I’m not trying to provide a laundry list of every wide-angle lens that’s compatible with the Nikon D7000. Nor am I going to recommend super-expensive lenses that, while they’ll work well, aren’t a logical pairing with the Nikon D7000. I’m also emphasizing autofocus lenses here–there are plenty of good older and manual-focus lenses as well, and that’s not my focus here.

First, the basics:

  • The Nikon D7000 uses Nikon’s F-mount system. You can’t put a Z-mount lens on it, and there’s no adapter to go that way (you can put an F-mount lens on a Z-mount camera body with an FTZ adapter.)
  • The Nikon D7000 has a DX cropped sensor (aka APS-C sensor). The practical effect is that you don’t get as much wide-angle effect for any given lens as if you were using the same focal length on a full-frame FX camera.

So what is a wide-angle lens? The threshold for what makes a lens wide-angle is quite subjective. You could argue, for instance, that the 18-55mm or 18-140mm kit lenses that often come with the D7000 are wide-angle. When they’re zoomed out to 18mm (which is 27mm on a full-frame sensor) they are respectably wide. But I’m focusing on here not so much on replacing those lenses with better ones, but rather on lenses that offer something different from them so that you can get different kinds of shots. Nikon’s 16-85mm, for instance, would give you slightly more reach on both ends of the zoom, and it’s an optically superior lens, but it’s not going to be a huge difference in perspective and framing–particularly on the wide end–from the 18-55mm.

I tend to regard around 30-35mm (in 35mm equivalent) as the threshold. Lenses in the 40mm to 60mm range are often considered “normal” perspective, while anything over that heads into telephoto territory.

Sigma 10-20mm Wide-Angle Zoom

This has been one of Sigma’s very popular lenses for a long time. And for good reason. It was one of the first lenses to bring in a super-wide focal length at very competitive pricing. It’s small and compact and well built.

Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical Super Wide Angle Lens for...
  • Ultra wide-angle of view with large maximum aperture of F3.5
  • Sharp images with high contrast and superior peripheral brightness

On a Nikon D7000’s DX sensor, the 10-20mm is the equivalent of a 15-30 on a full-frame (FX) camera. So it’s a very wide-angle lens.

And it has aspherical elements. What that means is that you don’t get the heavy lens distortion that you get with a similar focal length in a fisheye lens (see below). So lines stay straight, including horizons. You do, however, get quite a lot of stretching around the edges, but that’s something you can factor into your framing and even accentuate for dramatic effect if you wish.

Here are some photos I’ve taken with a Sigma 10-20mm wide-angle on a Nikon D7000.

Lincoln Memorial Tourists
I took this in Washington DC with a Nikon D7000 and a Sigma 10-20mm wide-angle lens. In this case, I used a neutral density filter and a tripod to extend the exposure time to blur the movement of the tourists.
Tran Quoc Pagoda Hanoi Monk Praying
I took this in Hanoi, Vietnam, with a Nikon D7000 and a Sigma 10-20mm wide-angle lens.
Tourists Cruising in an Inflatable Boat in Antarctica
I took this in Antarctica with a Nikon D7000 and a Sigma 10-20mm wide-angle lens. The ultra-wide perspective is especially useful for tight quarters, like in this zodiac.
Luang Prabang Wat Mai Temple Interior
I took this in Luang Prabang, Laos, with a Nikon D7000 and a Sigma 10-20mm wide-angle lens.
Photo of Martin Luther King Jr Memorial in Washington DC
I took this in Washington DC with a Nikon D7000 and a Sigma 10-20mm wide-angle lens. In this case, the exaggerated perspective of the ultra-wide-angle perspective adds some drama that isn’t there with a more “normal” perspective.
Reunification Palace President's Reception Room Ho Chi Minh City (Saigon)
I took this in Hanoi, Vietnam, with a Nikon D7000 and a Sigma 10-20mm wide-angle lens. With the ultra-wide-angle perspective, it’s easy to end up with some wacky angles and leaning lines, but with careful framing, it’s also possible to get symmetry and straight lines. This was shot hand-held, without the benefit of a tripod and level.
Photo of Cu Chi Tunnels Tourists in Tunnel Hole
I took this outside Ho Chi Minh City, Vietnam, with a Nikon D7000 and a Sigma 10-20mm wide-angle lens.
Split Over Under at Maho Bay US Virgin Islands
I took this in St. John in the US Virgin Islands with a Nikon D7000 and a Sigma 10-20mm wide-angle lens. I was using an underwater housing with a dome port for this shot.
Vieng Xai Pathet Lao Caves
I took this in Vieng Xai, Laos, with a Nikon D7000 and a Sigma 10-20mm wide-angle lens. This complex of caves, which was used during the Vietnam War, is tricky to shoot without a wide-angle view.
Wooden Rice Hut in Laos
I took this in northern Laos with a Nikon D7000 and a Sigma 10-20mm wide-angle lens.
Wat Phonxay Sanasongkham Luang Prabang Three Doors
I took this in Luang Prabang, Laos, with a Nikon D7000 and a Sigma 10-20mm wide-angle lens. The portico was relatively shallow, meaning I wasn’t able to stand much further back. But the ultra-wide-angle perspective let me fit in the whole of this impressively decorated entrance to a temple (or Wat).
Wat Phonxay Sanasongkham Luang Prabang Laos Temple Building
I took this in Luang Prabang, Laos, with a Nikon D7000 and a Sigma 10-20mm wide-angle lens. A different kind of view where I could fit in the whole temple (Wat).

Find them at:

Note: There’s also a ƒ/4-5.6 version which has long been discontinued but still turns up used. It’s also a good option–just a bit slower than the ƒ/3.5 version.

Here are some photos I’ve taken with the Sigma 10-20mm on various Nikon DX bodies.

Nikon 10-20mm ƒ/4.5-5.6G VR

This super-wide zoom lens from Nikon is unusually affordable. Like the Sigma 10-20mm, it has aspherical elements but essentially the same super-wide view.

Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G IF VR ZoomLens - Bundle with 72mm...
  • Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR Zoom Lens - LC-72 72mm Snap-On Front Lens Cap - LF-4 Rear Lens...
  • Ultra-wide-angle view that surpasses any kit lens and lets you get creative with composition

Two features separate this version from the Sigma–one is a plus and one is a negative.

On the negative side, this lens is slower. The Sigma has a constant ƒ/3.5 maximum aperture through the zoom range. That means that the maximum aperture is ƒ/3.5 whether you’re fully zoomed in or fully zoomed out. The Nikon version has a maximum aperture of ƒ/4.5-5.6, What that means is that when you’re fully zoomed out, the aperture is ƒ/4.5, while when you’re fully zoomed in, the maximum aperture is ƒ/5.6. By itself, that would make this lens less suited to low-light shooting than the Sigma, albeit only slightly.

But then there’s the other feature, which is a big positive: the Nikon lens has vibration reduction, which means that you can get an extra 2-3 stops without shaking ruining the photo. This essentially cancels out the slower maximum aperture, and then some. Vibration reduction, or VR, is pretty unusual on lenses this wide, and especially on ones at a low price point like this one.

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Alternative: Another good option is Nikon’s 10-24mm ƒ/3.5-4.5. It has slightly more on the zoomed-in end, has the same maximum aperture, doesn’t have vibration reduction, and yet is more expensive. But what you’re paying for here is an optically better lens, which translates to sharper images across more of the frame and less flare. Third-party manufacturer Tamron also has their own version of this lens, which is significantly cheaper than the Nikon version.

Tokina atx-i 11-16mm ƒ/2.8 CF Ultra-Wide Zoom Lens

Tokina isn’t a brand that comes up as often, but this lens stands out. It has an ultra-wide 11-16mm perspective, and it’s fast, with a maximum aperture of ƒ/2.8 (and a minimum of ƒ/22). Aspherical elements help minimize lens distortions. And with an MSRP of $349, it’s very affordably priced.

If you’re after a shade more flexibility, there’s also the Tokina atx-i 11-20mm ƒ/2.8 CF (not to be confused with the Cinema version, which is a very different lens at a very different price point). It’s more expensive and also bigger and heavier.

Check current price and availability at:

Tokina ATX-i 11-16MM CF F/2.8 Nikon
  • New design & lens coating for better perfromances
  • Item Package Quantity: 1

Nikon 10.5mm Fisheye

A fisheye is a special kind of wide-angle lens. It combines a super-wide perspective with heavy lens distortion.

It’s a niche look. It’s a very dramatic look, and it’s also easy to overdo. But it can also be a lot of fun to shoot with and create some really unique and unusual perspectives. We’ve become more conditioned in recent years to the fisheye look thanks to the widespread use of it on GoPro and action camera videos.

Nikon AF DX NIKKOR 10.5mm f/2.8G ED Fixed Zoom Fisheye Lens with Auto Focus...
  • Lens not zoomable
  • DX-Nikkor reduces the diameter of the lens' image circle, allowing a range of lenses with practical size...

Nikon’s 10.5mm fisheye is small and compact. There’s no zoom–most (but not all) fisheye lenses don’t have zoom.

Fisheye lenses are especially good for:

  • grand interiors
  • close quarters
  • dramatic distortion
  • close action
Planes on Display at Smithsonian Air and Space Museum
Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens. I shot this several years ago at the Smithsonian’s Air and Space Museum. The Wall Street Journal published it as a half-page image.

For a specialty lens that’s relatively fast (maximum aperture of f/2.8), the Nikon 10.5mm is reasonably priced. It’s small and light and doesn’t take up much space in the camera bag.

You can find them at:

But it’s also one of those lenses that’s worth trying, but it’s not going to be one that every photographer reaches for regularly. A good way to try it out to see if it’s your cup of tea is by renting it. You can find them at LensProtoGo.

Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens.
Space Shuttle Enterprise
Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens.
Alington National Cemetery in the snow
Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens.
Clipper Flying Cloud
Taken with a Nikon 10.5mm ƒ/2.8 Fisheye lens.

I have some more photos I’ve taken with other fisheye lenses here and here.

Nikon AF-S DX Nikkor 12-24mm ƒ/4G IF-ED

There are other wide-angle lenses that also work well. One I particularly like is the Nikon AF-S DX 12-24mm ƒ/4G IF-ED. It’s an excellent lens, but it’s priced higher than the others here–about double the price. If your budget extends that far, it’s well worth a look.

Nikon AF-S DX NIKKOR 12-24mm f/4G IF-ED Zoom Lens with Auto Focus for Nikon...
  • 12 to 24 millimeter autofocus zoom lens with f/4 maximum aperture for Nikon digital SLR cameras
  • 2 Extra Low Dispersion (ED) glass elements and 3 aspherical lens elements for superior optics
Scuba Divers on Great Barrier Reef Split Shot with Boat
I took this with a Nikon D7000 and a Nikon AF-S DX 12-24mm ƒ/4G IF-ED wide-angle zoom lens on the Great Barrier Reef, Australia. It was in dive housing and using a dome port.
Coral of Australia's Great Barrier Reef
I took this with a Nikon D7000 and a Nikon AF-S DX 12-24mm ƒ/4G IF-ED wide-angle zoom lens on the Great Barrier Reef, Australia. It was in dive housing and using a dome port.

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Terms Used with Wide-Angle Lenses

35mm equivalent. The focal length refers to the distance that light rays converge in focus after passing through a lens. There’s complicated math involved, but our purposes here are much simpler. The focal length of a lens denotes whether it’s a wide-angle, normal, or telephoto. And if there’s a range (eg. 24-70mm), it’s a zoom lens.

But the complication with cameras like the D7000 and other DX cameras in Nikon’s range (or any other cropped-sensor cameras, for that matter) is that these cameras use a smaller sensor than a traditional full-frame sensor (which, in turn, is based on the old 35mm film standard–that’s where the “35mm equivalent” bit comes from). And that alters the math and the perspective.

The Nikon D7000 has what’s known as an APS-C sensor, which Nikon calls a DX sensor. (They call their full-frame sensors, FX.) It’s smaller than a full-frame sensor, and so you need to multiple the focal length by 1.5x. For example, if a lens says it has a focal length of 10mm, when you put it on a D7000, you’ll get a view that’s equivalent to 15mm on a full-frame camera.

On the telephoto end, that usually works to our advantage, because you get more reach. A 200mm telephoto lens, for example, gives you the practical equivalent of 300mm on a full-frame camera. But on the wider end, it works against.

Aspherical elements used in the design of the lens work to keep lines straight and minimize distortion. Contrast that with a regular fisheye lens, where nearly every line ends up bent.

Chromatic Aberration / Purple Fringing. The corners and edges of the frame are hard for wide-angle lenses to get right. And because of the physics of the glass, you can often end up with different wavelengths getting out of alignment or becoming unfocused (aka soft). Cheaper, very wide lenses tend to suffer from this more.

Most image editing apps these days include corrections for chromatic aberration (also known as purple fringing) that you can apply in editing, and they often do a decent job.

DSLR vs Z lenses. The Nikon D7000 is a DSLR (i.e., digital single-lens reflex) camera. Nikon SLRs and DSLRs have for decades used what’s known as an F-mount system to connect the lenses to the camera body.

In the past few years, Nikon has launched a mirrorless camera system that they’re calling the Z series. Lenses for those cameras are known as Z-mount lenses.

For the D7000, you want F-mount lenses. While it’s possible to get an adapter to put F-mount lenses on a Z-mount body, the reverse isn’t true (i.e., you can’t use a Z-mount lens on an F-mount body).

DX vs FX. Nikon calls its full-frame cameras FX cameras, and its APS-C cropped sensor cameras DX. The Nikon D7000 is in the DX range.

It’s often simpler (and cheaper) to stick with lenses that are specifically designed for DX cameras, but it’s not a requirement. For Nikon lenses, “DX” will be in the lens name. Other manufacturers might use a different code; Sigma, for example, uses “DC”.

FX lenses are also often (but not always) bigger and heavier. Nikon’s 14-24mm ƒ/2.8G lens, for example, is a wonderful lens (you can see some of the photos I’ve taken with it here), but it’s big, heavy, and expensive. It will work on a Nikon D7000 (multiply the focal length by 1.5x to get the effective focal length on the DX sensor), but it makes the most sense on a full-frame body.

Wrap Up

Something else I wanted to mention is that although I’m focusing here on using wide-angle lenses on the Nikon D7000 specifically, one of the great things about the DSLR system is that it doesn’t mean you can use these lenses only on the D7000.

In other words, if you decide to update to a newer camera model in the future, or upgrade to a higher model such as the D7500 or D500, these same lenses will remain good options that work on those cameras as well. So long as you stick to a DX-series Nikon DSLR body, you’re good to go. And with an FTZ mount adapter, you can use Nikon F-mount lenses on mirrorless Z-mount cameras as well. [1]

  1. Most DX lenses can also be used on Nikon FX DSLRs, but there will be limitations on the amount of frame covered–you will likely have to put the camera into DX mode and settle for reduced resolution.[]

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David Coleman

I'm a professional photographer based in Washington, DC. Seven continents, up mountains, underwater, and many places in between. I've been shooting for 30+ years, and my photos and time-lapse videos have appeared in a bunch of different publications, from major newspapers to magazines and books, billboards, TV shows, professional sports stadiums, museums, and even massive architectural scrims covering world-famous buildings while they're being renovated. You can see some of my travel photography here and here.

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