Here’s a selection of sample images I’ve taken with the Sony 35mm ƒ/1.4 ZA lens, one of Sony’s high-end primes.
The Sony 50mm ƒ/1.4 ZA lens is one of Sony’s high-end lenses. On full-frame sensors it offers a normal perspective and is especially good for low-light and selective focus shooting. Here are some sample photos I’ve taken with it.
A selection of sample images I’ve shot with the Sigma 105mm f/2.8 EX DG OS HSM macro prime lens.
If I had to pick one lens to take with me to the ends of the earth, it would be this one: Nikon’s 24mm ƒ/1.4G. Here are some example photos I’ve shot with it.
Here are some samples of photos I’ve taken with Nikon’s AF-S 18-55mm f/3.5-5.6G VR to give a sense of how it performs in real-world shooting.
Here’s my hands-on review of the Nikon 28-300mm f/3.5-5.6G, a compact, affordable, and highly versatile zoom lens.
A collection of photos I’ve taken with a Nikon AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR zoom lens to give some examples of how it performs in real-world shooting conditions.
Tamron’s 28-300mm lens is designed as a versatile all-in-one zoom for full-frame sensor cameras, the type of lens you might choose to leave on your camera most of the time for things like travel photography. Here’s my hands-on review.
A collection of photos I’ve taken with the Tamron 28-300mm f/3.5-6.3 Di VC PZD under various settings and conditions to give a sense of how it performs in real-world shooting conditions.
A collection of sample images taken with the Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED lens to give an idea of how it performs in real-world shooting.
Here are some practical examples that show the zoom range of Nikon’s 18-55mm kit lens in case you’re trying to decide which lens bundle to go with.
If the built-in lens on your Olympus Tough TG-5 or TG-4 isn’t as wide as you’d like, there’s a waterproof fisheye adapter lens that you can snap onto the front that will instantly add a super wide-angle perspective.
A collection of photos of taken with the Nikon 14-24mm f/2.8 lens that gives an idea of how it performs under real-world shooting conditions.
Here’s a collection of photos I’ve taken with the Nikon 17-55mm f/2.8G lens for DX cameras to give a sense of how it performs in real-world shooting.
If you have a Sigma 150-600mm Sports and are looking to use it on Arca-style tripods or gimbals, here’s a solution that’s better than simply adding a quick release plate.
A collection of photos taken with the Nikon 24-70mm f/2.8E ED VR lens to give an idea of how it performs in real-world shooting.
A collection of photos I’ve taken with a Nikon 50mm f/1.4G to give an idea of how it performs in real-world shooting.
I’ve been putting Sigma’s newest teleconverters to the test: the TC-1401 1.4x and the TC-2001 2x. Here’s what I found.
Here’s a collection of photos I’ve taken with the Nikon 16mm f/2.8D Fisheye lens to give a sense of how it performs in real-world shooting.
A collection of sample photos taken with the Sigma 24-35mm f/2 DG HSM Art Lens to give an idea of how it performs in real-world shooting.
A collection of photos taken with the Nikon 80-400mm f/4.5-5.6G under various conditions to give a sense of how it performs in real-world shooting.
A collection of sample photos taken using the new Nikon 105mm f/1.4 lens with an emphasis on travel photography.
Sigma has a USB dock for its newer lenses that allows you to update the lens’s firmware and customize some of the lens’s core functions like autofocus and optical stabilization. Here’s how the USB dock works and what you can do with it.
Nikon has announced three new wide-angle lenses: a 28mm f/1.4 and 8-15mm fisheye zoom for FX sensor cameras and a 10-20mm ultra-wide zoom for DX sensor cameras.
If you’re looking to get in even closer than the iPhone 7’s camera can do, a snap-on lens like those in the OlloClip Macro Pro Lens Set can help.
A collection of sample images taken with Sigma’s 35mm f/1.4 DG HSM Art Lens.
It’s often a bad idea to use a polarizer filter when shooting panoramas. Here are examples showing why.
A hands-on review of the Sigma 120-300mm F2.8 EX DG OS APO HSM telephoto zoom lens. It’s the first lens in Sigma’s new Sports line.
Sigma has two super telephoto zoom lenses in their current range. Lately I’ve been putting the less expensive and smaller model through its paces.
Nikon has come out with a new version of its 24-70mm zoom lens that adds Vibration Reduction. I’ve been shooting with it for a few weeks now. Here’s my review.
I’ve been putting the new Sigma 24-35mm f/2 DG HSM Art Lens through its paces.
Now that spring has finally arrived, here’s a hands-on review of using the Nikon 200mm f/4D IF-ED macro lens for outdoor flower photography.
A hands-on review of Sigma’s flagship super telephoto zoom for sports and wildlife photography.
If you’re finding that the autofocus isn’t focusing exactly where you want it, some cameras offer calibration tools. Here’s how they work.
Canon has announced a raft of new products, including an updated 35mm f/1.4 lens and the new Canon EOS M3 mirrorless camera.
Nikon has announced updates to some of its pro telephotos, as well as a new, versatile DX zoom lens that is an especially good fit for travel photography.
Sigma’s 35mm f1.4 prime lens is a direct competitor to Nikon’s version. But there’s a very big difference in price. Here’s how the Sigma performs in real-world shooting.
The Nikon 16mm fisheye lens packs a lot of dramatic punch into a tiny, lightweight package. Here’s my hands-on review.
If you want to expand your lens choices with the iPhone 6 or iPhone 6 Plus you’re going to need to attach something to the existing lens. I put the olloclip 4-in-1 kit for the iPhone 6 and iPhone 6 Plus through its paces.
The newest version of Nikon’s 80-400mm telephoto zoom lens is quite different to the one it replaces. Here how it stacks up in real-world shooting.
When buying filters or lens caps you need to know the diameter of your lens. But you don’t need to break out a ruler. You just need to know the code. And once you know what to look for, it’s easy.
A circular polarizer filter can be an extremely useful photographic tool, but they have to be used with care on an extreme wide-angle lens.