The Ricoh GR II is a unique camera and has quite a cult following. While it doesn’t necessarily have the same bells and whistles as some other cameras on the market, it brings a very distinctive approach and has some unusual settings and features that aren’t easily found elsewhere. I’ve been shooting with one since 2015, so it’s not a new model. And it’s just about to be replaced by a new version, the Ricoh GR III.
So why am I posting photos from the GR II when the GR III is just around the corner? Two reasons. Firstly, I have high hopes for the GR III, and one of the things I’ll be most interested in seeing is whether its low-light performance is improved. It’s one area that I’ve always had a little nagging disappointment with the GR II–I just feel like there’s room for improvement, especially since, in this particular area, the GR II didn’t offer much improvement over the even older GR. And when I’m out and about with a camera like this, chances are I’ll be wanting to use it in less than ideal lighting conditions. So I wanted to gather together some examples to establish a reference point to compare with. Secondly, I would expect there to be some good deals on the GR II when the GR III comes out, and I suspect there will be people who are still interested in seeing how the GR II performs in real-world shooting conditions.
So here’s a collection of images I’ve taken in the past few years with the GR II at high ISOs. The GR II has an APS-C sized CMOS sensor (23.7 x 15.7mm), which is basically the same size as cameras like the Fujifilm XT-3, Nikon D7500, Sony a6500, or the Canon 80D.1 It produces images up to 16.2MP; they measure 4928 by 3264 pixels.
And it has an ISO range from 100 to 25600. I’m focusing here on the upper end of that range, starting with ISO 1600. (If you’re looking for a more general collection at a broader range of ISOs, I posted some sample images here some time ago.) I’ve included the ISO at which each photo was taken in the captions.
High ISO Sample Images with the Ricoh GR II
These were all originally shot in RAW, and while the images have been processed in Lightroom (and some in Color Efex Pro 4), I haven’t applied any extra noise reduction to them. You can click on each image to open a full-resolution version for a closer look.
- While APS-C refers to a pretty standardized size, there can be minor variations in the precise physical measurement. ↩