The Fujifilm X-T5 in Low Light: A High ISO Sample Gallery
How clean is the 40MP Fujifilm X-T5 really at high ISO? Here’s a growing gallery of real-world sample images from ISO 3200 up to 51,200, shot handheld straight from RAW with no noise reduction applied.
The Fujifilm X series continues to push the boundaries of APS-C image quality, and the X-T5 is a perfect example of this evolution. Announced in November 2022, it swung the pendulum back toward a photography-first design after the video-leaning X-T4, and it’s still a camera built specifically for stills shooters.
But with a packed 40-megapixel APS-C sensor, a core question emerges: how well does it actually perform in low light? While pairing the camera with a fast lens — like the incredible Fujifilm XF 50mm f/1 R WR I used for some of these shots — certainly helps, the underlying sensitivity and noise profile of the sensor are what ultimately make or break the image.
The Fujifilm X-T5 features a native ISO range from ISO 125 up to ISO 12,800. The settings on either end of that spectrum fall into the extended ISO range, allowing you to drop down to ISO 64 or push all the way up to ISO 51,200.
What counts as “high ISO” is entirely subjective. However, because most modern cameras perform very cleanly up to ISO 3200, I am using that as the baseline threshold for this test. The sample images below range from ISO 3200 all the way to the maximum ISO 51,200.
In practice, the files hold up very well through about ISO 3200 — that’s where I’d still call the image quality excellent. Past that you start running into a ceiling: ISO 6400 is usable for most work, and by the time you reach the extended settings at 25,600 and 51,200 you’re trading away color and dynamic range to get the shot at all. The images below let you judge where your own cutoff sits.
Here is a selection of real-world photos I’ve shot handheld on the X-T5 in low light. I will continue to add more examples as I shoot them. You can click on each image to open a full-size view for a closer look.
About these images
To give you an accurate look at the X-T5’s true noise profile, here is how these files were processed:
Shot in RAW: The versions embedded on this page are derived directly from the original RAW files, meaning they bypass the camera’s default JPEG smoothing enhancements.
Zero Noise Reduction: I have explicitly avoided mitigating the image quality issues you get at high ISOs. I have not applied any noise reduction or optical fixes in Lightroom. More specifically, I haven’t run these through my go-to app for high ISO files, DxO PureRAW (though I know from experience it makes a massive improvement on these files).
Minimal Tweaks: I have only applied the bare minimum processing in Lightroom — usually just a slight bump in contrast and exposure to accurately reflect the scene.
Fujifilm X-T5 at ISO 4000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 8000. Those white dots aren’t hot pixels — they’re stars. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 5000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 4000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. This was taken at night, and it was a lot darker than it looks in the photo. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 25600. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 4000. This was also taken in the dark. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 5000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 10000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 6400. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 4000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 5000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. The spots to the left aren’t dust bunnies — they’re stars. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 6400. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 51200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 4000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 10000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 8000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 10000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 5000. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 25600. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 6400. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 3200. Photo by David Coleman / Have Camera Will TravelFujifilm X-T5 at ISO 51200. The image quality really suffers here, with pronounced image noise, washed-out colors, and a shallow dynamic range. So it’s not well suited to shots like this, but it might be much more tolerable in street photography or some other instance where makes the difference between getting the shot and not getting the shot. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 6400. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 8000. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 25600. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 51200. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 10000. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 6400. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 51200. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 25600. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 10000. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 8000. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 51200. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 25600. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 6400. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 8000. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 51200. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 6400. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 10000. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 51200. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 25600. Photo by David Coleman / Have Camera Will Travel
Fujifilm X-T5 at ISO 12800. Photo by David Coleman / Have Camera Will Travel
How to get to ISO 25,600 and 51,200
Accessing the extended ISO range on the X-T5 isn’t necessarily self-evident. If you’re using the physical dial or one of the Auto ISO presets, you can only push the camera up to ISO 12,800. To access ISO 25,600 and 51,200, you need to turn the sensitivity dial to C and then manually adjust the ISO using the front command dial. For a detailed walkthrough, I’ve posted a guide to accessing the highest ISOs on the X-T5 separately.
Related
For comparison, I’ve previously posted some high-ISO sample images taken with older-generation Fujifilm sensors, including the X-T3 and X-T2. There’s also a broader collection of X-T5 sample images shot across a range of conditions, and my hands-on review of the X-T5.
It’s worth knowing that the jump from 26 to 40 megapixels doesn’t come free at high ISO. The X-T5’s pixels are smaller than the ones on the 26MP X-Trans 4 sensors in the X-T3 and X-T4, so at 100% on screen the noise looks a little coarser. Scale the files to the same output size, though, and the gap narrows — and you’re still holding onto more detail than the 26MP files gave you.
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I take photos for a living. Now based in Washington, D.C., I have spent the last 30+ years shooting across seven continents — from underwater environments to mountain peaks. My images and time-lapses have appeared in major newspapers, magazines, museums, professional sports stadiums, and even on massive architectural scrims covering world-famous buildings.
I started this site in 2009 to field-test gear, share problem-solving solutions, and share what I've learned in shooting around the world. I only review gear and services I have personally used. No armchair opinions — just real-world experience. Because, for me, the fun is in the making of the photo.