Canon EOS R6 Video Bitrate Tables

These tables show the video bitrates that the Canon EOS R6 encodes video at with the different combinations of settings.

Canon EOS R6 Mirrorless Camera
Text & Photos By David Coleman
Last Revised & Updated:
Filed Under: Mirrorless Cameras

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While the Canon EOS R6 is not the highest model in Canon’s mirrorless camera lineup, it has some surprisingly good video capabilities. And it’s not just about bells and whistles — it’s built on some solid video bitrates.

They’re not the highest available, and they pale in comparison compared with some of the high-end 8K and RAW options available on the R5. But they’re still impressive for a camera at this price point and mix of features.

The high-bitrate video recording is really the mode that is most challenging for the memory cards to handle. Using SD cards that are too slow can limit the camera’s features that you can use. Specifically, a card that can’t keep up with the high-bitrate recording modes can cause camera lockups, dropped frames, stopped recordings, and other unexpected behaviors.

This is why it’s important to get fast SD cards for the R6, and I’ve put together a separate post on Canon R6 memory card recommendations.

This first table is with Canon Log setting OFF and HDR PQ setting OFF.

Resolution Framerate Compression Method Bitrate (Mbps)
4K 60 IPB (Standard) 230
IPB (Light) 120
50 IPB (Standard) 230
IPB (Light) 120
30 IPB (Standard) 120
IPB (Light) 60
25 IPB (Standard) 120
IPB (Light) 60
24 IPB (Standard) 120
IPB (Light) 60
4K Timelapse 30 ALL-I 470
25 ALL-I 470
1080p 120 IPB (Standard) 120
IPB (Light) 70
100 IPB (Standard) 120
IPB (Light) 70
60 IPB (Standard) 60
IPB (Light) 35
50 IPB (Standard) 60
IPB (Light) 35
30 IPB (Standard) 30
IPB (Light) 12
25 IPB (Standard) 30
IPB (Light) 12
24 IPB (Standard) 30
IPB (Light) 12
1080p HDR 30 IPB (Standard) 30
25 IPB (Standard) 30
1080p Timelapse 30 ALL-I 90
25 ALL-I 90

This second table is with Canon Log setting ON and HDR PQ setting ON.

Resolution Framerate Compression Method Bitrate (Mbps)
4K 60 IPB (Standard) 340
IPB (Light) 170
50 IPB (Standard) 340
IPB (Light) 170
30 IPB (Standard) 170
IPB (Light) 85
25 IPB (Standard) 170
IPB (Light) 85
24 IPB (Standard) 170
IPB (Light) 85
4K Timelapse 30 ALL-I 470
25 ALL-I 470
1080p 120 IPB (Standard) 180
IPB (Light) 100
100 IPB (Standard) 180
IPB (Light) 100
60 IPB (Standard) 90
IPB (Light) 50
50 IPB (Standard) 90
IPB (Light) 50
30 IPB (Standard) 45
IPB (Light) 28
25 IPB (Standard) 45
IPB (Light) 28
24 IPB (Standard) 45
1080p Timelapse 30 ALL-I 135
25 ALL-I 135

There are some things worth noting about this data:

  • Because the videos are encoded with variable bitrate encoding, the bitrates are approximate. And they’re target bitrates. What that means in practice is that you can end up with averages slightly above or below these values. That’s something you often notice more on short recordings where the stream has less chance to even out.
  • These bitrate values reflect only the video stream — the audio stream is not included.
  • These values are taken directly from Canon’s data.
  • As you can see, the 4K timelapse videos boast the highest bitrates on the R6. But in terms of SD card speed, this is less relevant because of the different way that time lapse footage is captured. Rather than writing at the high bitrate in real-time, as normal video capture does, timelapse video is compiled after the fact from frames captured at much longer intervals.
  • For the framerates, I’m rounding here. For instance, the NTSC 30fps is more accurately 29.97fps (although even that is still approximate) and 24fps is more accurately 23.976fps. The reasons for this are way beyond the scope of this post, but you can find more information about frame rate conversion and telecine here.
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David Coleman

I take photos for a living. Now based in Washington, D.C., I have spent the last 30+ years shooting across seven continents — from underwater environments to mountain peaks. My images and time-lapses have appeared in major newspapers, magazines, museums, professional sports stadiums, and even on massive architectural scrims covering world-famous buildings.

I started this site in 2009 to field-test gear, share problem-solving solutions, and share what I've learned in shooting around the world. I only review gear and services I have personally used. No armchair opinions — just real-world experience. Because, for me, the fun is in the making of the photo.

You can see my travel photography here, license my images or buy prints here, or sign up for my Substack.

Conversation

  1. Hi David! Thanks for the helpful info!

    One question please: I am recording at 4k 50fps (IPB Standard) with Log setting on and with multiple recording on two Lexar Professional 256GB V60 with write speed ata 120MB/s.

    The bitrate of that mode is 340mbps which means that I am recording on average 42.5MB/s. The problem is that I am having a lot of dropped frames and I can’t figure out why?

    Do I need V90? Theoretically, no! Any ideas?

    Reply

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