Fujifilm XF 8-16mm f2.8 R LM WR Sample Images: Real-World Examples

A look at how the Fujifilm XF 8-16mm f/2.8 R LM WR performs in real shooting, with rectilinear optics that keep straight lines straight and no fisheye bulge at ultra-wide angles. These RAW, lightly processed shots from an X-T5 complement the full hands-on review of this lens.

Fujifilm XF 8-16mm f2.8 R LM WR Sample Images Header
Text & Photos By David Coleman
Last Revised & Updated:

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Practical field notes, hands-on gear tests.

Here’s a selection of sample images I’ve taken with the Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide-angle zoom lens on a Fujifilm X-T5.

I’ve posted a separate detailed hands-on review of this lens. These sample images are designed to complement that.

There’s also a separate set of zoom range tests for this lens, if you want to see the same scene shot from 8mm through to 16mm.

The 8-16mm is designed for Fujifilm’s X-series cameras, which have APS-C cropped sensors. So its effective focal length, when converted to the equivalent on a full-frame camera, is 12-24mm.

As you can clearly see in several of these shots, it’s a rectilinear lens, meaning that straight lines stay straight, and you don’t get that bulging look with curved lines that a fisheye gives you at these very wide fields of view. The aspherical elements help — there are four of them in here, working against distortion and other aberrations — but it’s the rectilinear design, not the fact that a lens has aspherical elements, that keeps the lines from curving.

I’ve found it to be very well built and optically excellent. As you’d expect from Fujifilm’s premium red-label lenses. I really have no quibbles with it.

One practical thing to know before you plan any filter use: the 8-16mm has a bulbous front element and a built-in petal hood, so there’s no filter thread on the front. That rules out screw-in filters entirely — no circular polarizer, no screw-in ND — which is a real consideration if you shoot long exposures or were counting on a polarizer for glare on glass and water.

Here’s the quick version, but you can find many more details in my review.

Pros

  • Very good optics.
  • Rectilinear design keeps straight lines straight, with no fisheye bulge.
  • Fast, with a constant maximum aperture of f/2.8.
  • Solidly built.

Cons

  • A specialized wide-angle; many photographers will want it alongside something else in their camera bag that’s a longer focal length, like the Fujifilm XF 18-55mm.
  • Comes with premium pricing (but understandably so).

No filter thread, so screw-in filters aren’t an option.

Fujifilm XF 8-16mm f/2.8 R LM WR sample images

These were all shot on a Fujifilm X-T5. They were shot in RAW, and I’ve only lightly processed them in Lightroom. I haven’t applied any of Lightroom’s optical corrections against chromatic aberration, vignetting, or distortion.

You can click on each image for a full-size view for a closer look.

Illuminated tunnel walkway with rows of pinpoint lights converging in a hypnotic pattern
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8mm. Photo by David Coleman / Have Camera Will Travel
Coffered dome and dark marble columns fanning out inside the National Gallery of Art rotunda
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/4 and a zoom setting of 8mm. I like this scene for testing out aspherical lenses. With a fisheye, it’s a very different look. Photo by David Coleman / Have Camera Will Travel
Spiral steel sculpture atop a dark pyramid monument against blue sky with sun flare
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8.7mm. There’s a little lens flare here. Some of it (top right corner) is from the lens itself. Some of it (the specular highlights in the middle of the frame) was from a little dust that was on the front of the lens (before I noticed it). The dust highlights can be pretty easily cleaned up — the partial rings at top right would be a bit harder given that they’re in an area of smooth tonal gradations. Photo by David Coleman / Have Camera Will Travel
Bronze sculpture of dueling figures beneath a domed skylight with ring of ceiling lights
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8.1mm. I often use this scene not just for the wide perspective but also for the direct lights shining on the front lens element. No problem here with flare. Photo by David Coleman / Have Camera Will Travel
Lincoln Memorial columns framing a distant view of the Washington Monument at dusk
Taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens on a Fujifilm X-T5 at an aperture of f/2.8 and a zoom setting of 8mm. Photo by David Coleman / Have Camera Will Travel
Yayoi Kusama polka-dot pumpkin sculpture inside a mirrored, dot-covered infinity room
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8.1mm. Photo by David Coleman / Have Camera Will Travel
Coffered dome ceiling of the Jefferson Memorial viewed from directly beneath the statue
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8.1mm. This is shooting basically straight up at the dome inside the Jefferson Memorial. Photo by David Coleman / Have Camera Will Travel
Washington Monument's sharp stone apex against blue sky with American flags below
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/8 and a zoom setting of 8.1mm. Photo by David Coleman / Have Camera Will Travel
Vietnam Veterans Memorial wall reflection showing an American flag and rows of ground lights at dusk
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8mm. This is a reflection shot, with the camera held up against a shiny black granite wall (at right). Photo by David Coleman / Have Camera Will Travel
Gold-painted canoe displayed on a chalkboard-illustrated museum exhibit base
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 12.5mm. Photo by David Coleman / Have Camera Will Travel
Dark marble columns framing a fountain and museum visitors under a coffered dome
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/5 and a zoom setting of 9.1mm. Another shot with lots of vertical straight lines near the edges of the frame to test out the asphericalness. This shot is also a magnet for chromatic aberration, but there’s no real issue here (and I haven’t corrected it in Lightroom). Photo by David Coleman / Have Camera Will Travel
Lincoln Memorial statue lit by golden sunset light casting long shadows across the chamber
Taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens on a Fujifilm X-T5 at an aperture of f/2.8 and a zoom setting of 8.3mm. Photo by David Coleman / Have Camera Will Travel
Orlando Eye observation wheel lit up red against a black night sky, framed by palm trees
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 16mm. The fast maximum aperture works well for general hand-held photography even in relatively low light. Photo by David Coleman / Have Camera Will Travel
Wide gallery view of large charcoal drawings of the White House and U.S. Capitol on museum walls
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8mm. The wide perspective gives you a lot of information to pack into the frame. (By the way, these aren’t photos on the walls — they’re actually charcoal drawings (based on photos).) Photo by David Coleman / Have Camera Will Travel
Washington Monument towering above rows of American flags, viewed from directly below
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/8 and a zoom setting of 8mm. Photo by David Coleman / Have Camera Will Travel
Ornate wood-paneled gallery with gilded furniture, chandelier, and framed paintings on the walls
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8mm. Photo by David Coleman / Have Camera Will Travel
Immersive black-and-white art installation covered floor-to-ceiling in hand-drawn text and imagery
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/8 and a zoom setting of 8mm. Photo by David Coleman / Have Camera Will Travel
Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens sample image
Taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens on a Fujifilm X-T5 at an aperture of f/2.8 and a zoom setting of 16mm. Photo by David Coleman / Have Camera Will Travel
Curved museum corridor lined with a large abstract mural made of layered strips of color
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 14.1mm. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8mm. Another reflection shot, this time with the smooth wall at left (and a different memorial). Photo by David Coleman / Have Camera Will Travel
Lincoln Memorial illuminated at dusk, its colonnaded facade glowing against a deep blue sky
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 13.9mm. Photo by David Coleman / Have Camera Will Travel
Immersive infinity room filled with glowing polka-dot spheres in red, blue, green, and yellow
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 12.3mm. Photo by David Coleman / Have Camera Will Travel
Carved stone sculpture of Ganesha displayed in a museum gallery with orange-lit walls
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 10.6mm. Photo by David Coleman / Have Camera Will Travel
Jefferson Memorial interior dome and statue of Thomas Jefferson viewed from below
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8mm. Photo by David Coleman / Have Camera Will Travel
Vintage silver Tucker automobile on display in a museum exhibit under a Reinvention banner
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 16mm. Photo by David Coleman / Have Camera Will Travel
Curving gallery corridor lined with a colorful woven textile art installation on terrazzo flooring
I took this photo with a Fujifilm X-T5 with an aperture of f/2.8, shutter speed of ¹⁄₁₅ sec, and sensitivity of ISO 160. Photo by David Coleman / Have Camera Will Travel
Ultra-wide view down an illuminated moving walkway tunnel with streaking light patterns
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8mm. There’s a similar shot on this page, but you might notice that here the light dots aren’t sharp and round. That’s not an optical issue — it’s because I was on the moving walkway with a slow shutter for this shot, whereas the other was from a fixed position. Photo by David Coleman / Have Camera Will Travel
Glass-trussed walkway leading toward a museum building with a rounded observation tower
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 13.9mm. Another scene with lots of straight lines but also magnet areas for chromatic aberration, of which there’s no real problem here. Photo by David Coleman / Have Camera Will Travel
Overhead view of a hotel atrium lobby with balconied rooms and a central seating area
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/8 and a zoom setting of 8mm. This is not a traditional choice for straightforward interior architectural photography — that would be a tilt-shift lens to make vertical lines actually vertical. But it could work for non-traditional architectural photography or by digital correction of the perspective in something like Lightroom, DxO, or Capture One. Photo by David Coleman / Have Camera Will Travel
Carved stone sculpture of a Hindu deity displayed among other statues in a museum gallery
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 16mm. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 16mm. Hand-held in quite low light. Photo by David Coleman / Have Camera Will Travel
Washington Monument obelisk rising above waving American flags under a clear blue sky
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/8 and a zoom setting of 16mm. Photo by David Coleman / Have Camera Will Travel
Curved row of granite pillars engraved with state names at the WWII Memorial at dusk
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8.3mm. Photo by David Coleman / Have Camera Will Travel
Vietnam Veterans Memorial wall reflecting flags and cherry blossoms at dusk
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/3.2 and a zoom setting of 13.2mm. A variation at a different time of day of another shot on this page, with the reflection off a smooth black granite wall at right. Photo by David Coleman / Have Camera Will Travel
Smithsonian Castle's red sandstone towers behind a flower bed and statue on a sunny day
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 8mm. Photo by David Coleman / Have Camera Will Travel
Vintage steam locomotive with brass fittings displayed beside mannequins in a train exhibit
Photo taken with a Fujifilm XF 8-16mm f/2.8 R LM WR ultra-wide zoom lens (on a Fujifilm X-T5) at an aperture of f/2.8 and a zoom setting of 12.3mm. Photo by David Coleman / Have Camera Will Travel

Fujifilm XF 8-16mm f/2.8 R LM WR specs

Model FUJINON XF8-16mmF2.8 R LM WR
Lens configuration 20 elements 13 groups (includes 4 aspherical, 3 ED, 3 super ED elements)
Focal length f=8-16mm (12-24mm in 35mm format equivalent)
Angle of view 121° – 83.2°
Max. aperture F2.8
Min. aperture F22
Aperture control Number of blades: 9 (rounded diaphragm opening)
Step size 1/3EV (19 steps)
Focus range 25cm – ∞ / 9.8 inches – ∞
Max. magnification 0.1x (telephoto)
External dimensions: Diameter x Length (approx.) 88mm x 121.5mm / 3.5 x 4.8 inches
Weight (approx.) 805g / 1.8 lbs
Filter size –
Accessories included Lens cap FLCP-8-16
Lens rear cap RLCP-001 
Wrapping cloth

Fujifilm XF 8-16mm f/2.8 R LM WR price & availability

Fujifilm set the launch MSRP at $1,999.95 when this lens went on sale in late November 2018. It has come down a long way since then — around $1,499 has been the more typical price in recent years, and used copies go for less again.

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David Coleman

I take photos for a living. Now based in Washington, D.C., I have spent the last 30+ years shooting across seven continents — from underwater environments to mountain peaks. My images and time-lapses have appeared in major newspapers, magazines, museums, professional sports stadiums, and even on massive architectural scrims covering world-famous buildings.

I started this site in 2009 to field-test gear, share problem-solving solutions, and share what I've learned in shooting around the world. I only review gear and services I have personally used. No armchair opinions — just real-world experience. Because, for me, the fun is in the making of the photo.

You can see my travel photography here, license my images or buy prints here, or sign up for my Substack.

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