Viltrox 24mm f1.8 AF Z Sample Images

Here’s a collection of sample images I’ve taken with the Viltrox AF 24mm f1.8 Z to go along with my detailed hands-on review.

Viltrox AF 24mm f1.8 Z Sample Images Header
Text & Photos By David Coleman
Last Revised & Updated:

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Practical field notes, hands-on gear tests.

I’ve posted a more detailed hands-on review separately. I’m posting here a larger collection of sample images that I’ve taken with Viltrox AF 24mm f1.8 Z wide-angle prime lens.

Viltrox AF 24mm f1.8 Z Wide-angle Prime Lens. Photo by David Coleman - havecamerawilltravel.com
Photo by David Coleman / Have Camera Will Travel

It comes in Nikon Z-mount and Sony E-mount versions. I’ve been using the Nikon Z version on a Nikon Z8.

Quick overview of the Viltrox AF 24mm f1.8 Z

I’ve found the Viltrox AF 24mm f/1.8 Z to be a competent, workmanlike wide prime. Factor in the $379 price, and it becomes a very compelling option — especially for Nikon Z and Sony E shooters.

A fast 24mm prime is a favorite of mine for its versatility — contextual framing, low-light capability, and subject separation when close. I’ve been steadily testing Viltrox lenses, some better than others. This one’s solid, though not without issues.

Build quality is good: metal barrel, compact form, smooth manual focus. The aperture ring is rough and lacks click stops (except for the “A” setting, which also lacks a lock). It’s easy to accidentally bump it off “A,” which is annoying in the field.

Autofocus is reasonably quick — not snappy, but much better than Viltrox’s 50mm f/1.8. Image quality is solid with no glaring flaws, though Lightroom’s auto-enabled lens profile masks most optical shortcomings. In everyday use, it holds up well.

However, there’s a critical problem: on my Nikon Z8, autofocus disables after the camera sleeps. Power cycling or reattaching the lens resets it, but that’s a pretty major issue for me. Some other Viltrox Z lenses don’t have this issue, but this one (and the 50mm) does.

Sample images

Here’s the gear I used to shoot these photos.

Here are some sample images I’ve taken with this lens. You can click on each image for a closer look at the full-size version.

One thing to note: these were all shot in RAW and processed in Lightroom Classic. And when you import the photos, the lens profile is enabled by default. I’ve left it enabled, which will mask any analog optical issues such as chromatic aberration, lens distortion, or lens vignetting. But I’ve left it enabled because I think that’s how much shooters would use it (and I would). And my objective here isn’t to do technical lab tests but rather to see how it performs in real-world, everyday shooting.

. Photo by David Coleman - havecamerawilltravel.com
I’ve included this one as a good example of across-the-frame sharpness when stopped down just a few stops. You can see the corners and edges are pretty good, while the aspherical elements are keeping the straight lines straight. Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₅₀ sec at ƒ / 4.5, ISO 1800. Photo by David Coleman / Have Camera Will Travel
John Ericsson Memorial in Washington DC. Photo by David Coleman - havecamerawilltravel.com
A good example of why I like the 24mm perspective. Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₂₀₀ sec at ƒ / 10, ISO 64. Photo by David Coleman / Have Camera Will Travel
George Hurrell Hollywood Golden Age Portrait Photography Exhibition at Smithsonian National Portrait Gallery in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Lots of converging straight lines here that stay straight. Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₅₀ sec at ƒ / 1.8, ISO 220. Photo by David Coleman / Have Camera Will Travel
Lincoln Memorial Gettysburg Address and Emancipation Mural Washington DC. Photo by David Coleman - havecamerawilltravel.com
More straight lines and another good test of sharpness. Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₂₅₀ sec at ƒ / 1.8, ISO 64. Photo by David Coleman / Have Camera Will Travel
American Pharmacists Association Building in Washington DC. Photo by David Coleman - havecamerawilltravel.com
This is an interesting exception to the straight lines test. You can see clear bowing on each side of the steps at the bottom corners. Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₆₄₀₀ sec at ƒ / 1.8, ISO 64. Photo by David Coleman / Have Camera Will Travel
Albert Einstein Statue in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₆₄₀ sec at ƒ / 1.8, ISO 64. Photo by David Coleman / Have Camera Will Travel
Barack Obama Portrait by Kehinde Wiley in National Portrait Gallery in Washington DC. Photo by David Coleman - havecamerawilltravel.com
The large maximum aperture comes in handy indoors. Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₅₀ sec at ƒ / 1.8, ISO 100. Photo by David Coleman / Have Camera Will Travel
Eastern Market Flower Vendors at Historic Capitol Hill Market in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Creating some focus separation between foreground and background even at f/2.8. Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₅₀ sec at ƒ / 2.8, ISO 400. Photo by David Coleman / Have Camera Will Travel
Eastern Market Building with Sunday Street Vendors Setting Up on Capitol Hill in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Nice and straight across the center of the frame. Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₂₀₀₀ sec at ƒ / 2.5, ISO 64. Photo by David Coleman / Have Camera Will Travel
Fresh Produce Stalls at Eastern Market on Capitol Hill in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₁₀₀ sec at ƒ / 1.8, ISO 64. Photo by David Coleman / Have Camera Will Travel
Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₄₀₀ sec at ƒ / 2.8, ISO 64. Photo by David Coleman / Have Camera Will Travel
Fresh Carrots and Root Vegetables at Eastern Market Sunday Farmers Market in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₅₀ sec at ƒ / 6.3, ISO 72. Photo by David Coleman / Have Camera Will Travel
Lincoln's Second Inaugural Address Inscription with Tourists at Lincoln Memorial in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₈₀ sec at ƒ / 2.8, ISO 64. Photo by David Coleman / Have Camera Will Travel
George Hurrell Hollywood Golden Age Portrait Photography Exhibition at Smithsonian National Portrait Gallery in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₅₀ sec at ƒ / 1.8, ISO 160. Photo by David Coleman / Have Camera Will Travel
Smithsonian's Donald W. Reynolds Center for American Art and Portraiture in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₄₀₀ sec at ƒ / 5.0, ISO 64. Photo by David Coleman / Have Camera Will Travel
Mathew Brady Civil War Era Portrait Negatives in Meserve Collection at Smithsonian in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₅₀ sec at ƒ / 1.8, ISO 100. Photo by David Coleman / Have Camera Will Travel
Portrait of Ulysses S. Grant by Ole Peter Hansen Balling at Smithsonian American Art Museum in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₅₀ sec at ƒ / 1.8, ISO 720. Photo by David Coleman / Have Camera Will Travel
Fresh Peaches and Produce at Eastern Market Sunday Farmers Market in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₁₂₅ sec at ƒ / 4.0, ISO 64. Photo by David Coleman / Have Camera Will Travel
Smithsonian American Art Museum in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₄₀₀₀ sec at ƒ / 1.8, ISO 64. Photo by David Coleman / Have Camera Will Travel
. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₅₀ sec at ƒ / 5.0, ISO 2000. Photo by David Coleman / Have Camera Will Travel
Vietnam Women's Memorial on National Mall in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₃₂₀ sec at ƒ / 1.8, ISO 64. Photo by David Coleman / Have Camera Will Travel
American Pharmacists Association Building Sign on Constitution Avenue in Washington DC. Photo by David Coleman - havecamerawilltravel.com
Camera & Lens: NIKON Z 8, Viltrox AF 24/1.8 Z @ 24 mm (35mm equiv.); Exposure: ¹⁄₅₀₀₀ sec at ƒ / 1.8, ISO 64. Photo by David Coleman / Have Camera Will Travel

Price & availability

With an MSRP of $379, the price is certainly attractive. But prices on imported goods, especially from China, are in flux at the moment, so it’s worth double-checking the current price.

There are versions for Nikon Z mount and Sony E mount. I’ve been using the Z-mount version on a Nikon Z8.

Check the current price and availability at:

You can also find them directly on Viltrox’s store.

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David Coleman

I take photos for a living. Now based in Washington, D.C., I have spent the last 30+ years shooting across seven continents — from underwater environments to mountain peaks. My images and time-lapses have appeared in major newspapers, magazines, museums, professional sports stadiums, and even on massive architectural scrims covering world-famous buildings.

I started this site in 2009 to field-test gear, share problem-solving solutions, and share what I've learned in shooting around the world. I only review gear and services I have personally used. No armchair opinions — just real-world experience. Because, for me, the fun is in the making of the photo.

You can see my travel photography here, license my images or buy prints here, or sign up for my Substack.

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