Nikon 28-300mm f/3.5-5.6G ED VR: Real-World Sample Images
A look at real-world photos shot with the discontinued Nikon AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, from full wide-angle to 300mm zoomed in, plus notes on current used pricing versus its original MSRP.
Nikon’s 28-300mm f/3.5-5.6G for FX-format DSLRs (ie. full-frame) is designed as a lens for all seasons.
It has a broad zoom range, from 28mm to 300mm, and built-in vibration reduction. At about 800g (28.2 oz) it isn’t a small or light lens — that’s the price of covering this much range in one barrel — but it’s still one lens instead of three.
So it’s a very good option to have as an all-purpose, take-anywhere lens for travel photography or general-use photography.
Being in the F-mount lineup, Nikon has since discontinued it, so the $1,049.95 MSRP it carried originally is now just a reference point. In practice, this is a used-market lens, and recent used prices have run roughly $450 to $500 for a good copy.
That convenience and price point come with compromises. With a maximum aperture of f/3.5 to f/5.6, depending on how much you have it zoomed in or out, it’s not an especially fast lens. And while the optical quality is good and perfectly suitable for a great many uses, it’s not up there with higher-end (and more expensive) pro lenses.
It also reaches the slow end of that aperture range sooner than most people expect. The maximum aperture is already down to f/5.6 by around 105mm and stays there all the way to 300mm, so f/3.5 is only on offer right at the 28mm end. It’s worth keeping in mind when you’re reading the aperture noted under each of the photos below.
These have been shot on either a Nikon D800 or D810 and processed in Lightroom. Some of the ones from the Arctic have had a little more processing applied to bring out the details in the ice — I do love the detail of ice — particularly by boosting local contrast, but others have had minimal processing done to them.
Sample images taken with a Nikon AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR zoom lens
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 70mm and f/14 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 250mm and f/5.6 on a Nikon D800. This is an occasion where the telephoto reach came in handy. This is our ship anchored in a small bay in Svalbard. We’d landed ashore and hiked up a hill. This shot was taken from up the hill and from quite a distance away. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D810. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 52mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/6.3 on a Nikon D810. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 135mm and f/5.6 on a Nikon D810. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/11 on a Nikon D810. Zoomed right into 300mm it’s quite sharp, but if you’re picky you can still see room for improvement with the detail in the buildings. This was a very clear day without any issues with haze. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/11 on a Nikon D810. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/7.1 on a Nikon D800. When you look closely at this walrus’s tusks and whiskers you can see two things: 1. it’s sharp, but not as tack sharp as some lenses, and 2. there’s some chromatic aberration (purple fringing) along the high-contrast edge of the tusks. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 45mm and f/8 on a Nikon D810. More curved lines pretty clearly at the top of the frame. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D800. I was sitting quietly on the ground on the top of a cliff as these two Arctic foxes played next to me. The foreground is particularly blurred in this one because I was shooting low to the ground, and the background is quite a distance behind, the face of another ridge. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/16 on a Nikon D810. The roof line shows some curving here. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 32mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 135mm and f/10 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D800. This was shot low to the water (in another kayak), and I wanted to use a large aperture to soften the foreground. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 180mm and f/16 on a Nikon D810. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/11 on a Nikon D810. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 170mm and f/11 on a Nikon D800. This is the sun reflecting off some shallow wind-blown water next to the gravelly beach. The beach looks black because I deliberately underexposed to get that metallic look with the water. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/4.5 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/6.3 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/16 on a Nikon D810. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 50mm and f/4.5 on a Nikon D810. You can see some definite curvature in the columns at left that isn’t there in real life. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 190mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/16 on a Nikon D810. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 68mm and f/8 on a Nikon D800. You can see some clear curvature in the wood planks at the top and bottom from the lens distortation. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 210mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 100mm and f/11 on a Nikon D810. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/8 on a Nikon D800. This was a very bright scene shooting almost directly into the light. There’s a flare spot at left, but I suspect that was a smudge on the front of the lens from some saltwater that had dried. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D810. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/16 on a Nikon D810. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/4.5 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D810. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 52mm and f/4.5 on a Nikon D810. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 55mm and f/9 on a Nikon D810. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D810. It’s pretty sharp through most of the frame in this one, although it’s softer in the bottom corners. You can also see some definite curved lines. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/5.6 on a Nikon D810. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D810. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/3.5 on a Nikon D810. You can see curved lines (that should be straight) along both sides and the top in this shot. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 40mm and f/8 on a Nikon D810. High-contrast edges like this can really bring out any chromatic aberration issues, but they’re not there to any practical degree. You can click on this one to open a full-resolution version if you’d like a closer look. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/8 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/5.6 on a Nikon D810. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/11 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/8 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/8 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 78mm and f/14 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/16 on a Nikon D810. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 28mm and f/11 on a Nikon D800. There is lens flare here, even when pointing at the sun, which is visible, but it’s well within what I’d call an acceptable and normal range. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 92mm and f/5.3 on a Nikon D800. I did bump the contrast up a little in this one, which exaggerates the problem a bit, but you can clearly see the vignetting in the top corners. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 56mm and f/4.5 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 300mm and f/8 on a Nikon D800. The VR came in handy here because we were floating in a kayak just off the shore with small chop and trying to make sure we kept a safe distance away. It’s feeding on a whale carcass that had washed up on the shore. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 28-300mm f/3.5-5.6 zoom lens at 122mm and f/5.6 on a Nikon D800. Photo by David Coleman / Have Camera Will Travel
Zoom range of the Nikon AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR zoom lens
Here are some practical examples of the zoom range, from fully zoomed out at 28mm to fully zoomed in to 300mm.
One thing worth knowing when you’re looking at the 300mm frames: you only get a true 300mm field of view when you’re focused well into the distance. Because the lens focuses internally, the effective focal length shortens as you focus closer — at the 0.5m minimum focus distance, 300mm frames more like 135mm, and at a couple of meters it’s closer to 150mm. Even at 50m or so it’s around 275mm. That’s how the design works rather than a fault, but it does explain why a nearby subject at 300mm doesn’t look as big as you’d expect.
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Price & availability
This lens is for Nikon F-mount. Nikon has discontinued it — its Nikon USA listing is now archived — so any new copies still sitting in stores are leftover stock rather than current supply.
But it’s also quite widely available on the used market, where it can be quite a bargain. I’d be inclined to look first at used copies from reputable outlets like KEH and MPB (both of which back their sales with solid return policies and warranties).
If you’ve since moved to a Z body, this is also a lens worth keeping rather than selling. It’s an AF-S G lens with its own focus motor, so on the FTZ or FTZ II adapter you get full autofocus and the lens’s own VR, plus in-camera distortion and vignetting correction. The lens’s optical VR handles pitch and yaw while the camera’s IBIS takes care of roll. The catch is balance more than anything — it’s a big-ish lens on a small mirrorless body.
Accessories for the Nikon 28-300mm f/3.5-5.6G ED VR
I take photos for a living. Now based in Washington, D.C., I have spent the last 30+ years shooting across seven continents — from underwater environments to mountain peaks. My images and time-lapses have appeared in major newspapers, magazines, museums, professional sports stadiums, and even on massive architectural scrims covering world-famous buildings.
I started this site in 2009 to field-test gear, share problem-solving solutions, and share what I've learned in shooting around the world. I only review gear and services I have personally used. No armchair opinions — just real-world experience. Because, for me, the fun is in the making of the photo.
Awesome pictures. I have my Nikon 28-300 VR but its sitting in my bag for last 1 year, collecting dust. Your pictures convinced me to try it out. I was never happy with its pictures when I first got it a year ago. And it’s my home, my daily commute route from 23rd St NW to home in Arlington. Like you, I have stopped on Memorial Bridge in the evening going back from work and took pictures of the Rosslyn skyline which is awesome in the evening light.
Awesome pictures. I have my Nikon 28-300 VR but its sitting in my bag for last 1 year, collecting dust. Your pictures convinced me to try it out. I was never happy with its pictures when I first got it a year ago. And it’s my home, my daily commute route from 23rd St NW to home in Arlington. Like you, I have stopped on Memorial Bridge in the evening going back from work and took pictures of the Rosslyn skyline which is awesome in the evening light.