A selection of real-world Sony HX99 sample photos, shot in a mix of RAW and JPG and lightly processed, showing exactly how this pocket superzoom compact performs day to day.
Sony leaned hard into the camera market in the years around the HX99’s 2018 release, with some very interesting offerings. They’re obviously more than willing to use their research and development depth, manufacturing networks and expertise, a healthy dose of innovative thinking, and a willingness to put new ideas into the marketplace.
The Alpha range is the benchmark for mirrorless cameras, and it pushed established players like Nikon and Canon to catch up.
Their RX0 and RX1 cameras are quite unique and unlike anything else on the market. Their RX100 series packs an amazing amount of high-end features into a high-end compact camera. And Sony’s sensors turn up in some of the best cameras produced by other brands. All in all, it has put Sony amongst the most exciting of the camera brands right now.
Overall, the HX99 does everything you’d expect and more from a compact camera. It doesn’t blaze a lot of new territory in terms of innovation except in one key respect: it packs a massive 24-720mm zoom into a tiny camera.
Not all of that zoom range is equally useful — the software-enhanced digital zoom features aren’t as good quality-wise as the optical zoom, for instance — but the optical zoom alone is a pretty amazing feature for something that fits so easily in your pocket. I’ve posted some practical examples of the HX99’s zoom range separately, so you can see how those numbers translate visually.
It’s worth being precise about those zoom numbers, because they get quoted loosely. The 24-720mm span is 30x if you simply divide one into the other, but Sony’s published optical figure is 28x — the lens itself is 4.25-118mm, and the 35mm-equivalent conversion isn’t constant across the range, which is where the gap comes from. Clear Image Zoom stretches things to a claimed 1440mm equivalent and digital zoom goes further still, but only the 28x is real optical reach.
Even aside from the impressive zoom, the HX99 is a very capable point-and-shoot compact, especially for the $450 it launched at in 2018 (at a much higher price point, Sony has the even better RX100 line). It has an 18.2MP sensor, wireless connectivity, and the usual in-camera photo-enhancing tricks you’d expect. It also has a few higher-end features that you don’t come across on most run-of-the-mill compact point-and-shoots, especially one priced so reasonably. Like being able to shoot RAW, a pop-up electronic viewfinder, and high-bitrate 4K video recording.
Sony discontinued the HX99 without replacing it, and no other manufacturer currently makes anything that combines pocket size, a viewfinder, and 720mm of reach. So if you want one, the used market is the only market — which is where sample photos like these earn their keep.
Photo by David Coleman / Have Camera Will Travel
Taken all together, the result is a camera that generally exceeds what I’d expect for a camera in this class and price point, and it’s worth checking out the HX99’s macro shots too. Without resorting to fancy bells and whistles — except with the zoom — it performs at least as well or better than I’d expect in most practical respects.
I’ve posted a detailed hands-on review of the Sony HX99 separately as well as a selection focusing specifically on the HX99’s high-ISO performance, but here’s a selection of photos I’ve shot with the camera to go alongside the review. I thought it worth posting them to give some practical examples of how the camera performs in real-world everyday shooting.
These were shot in a mixture of RAW and JPGs and minimally (for the most part) processed in Lightroom. The HX99’s sensor’s aspect ratio is 4:3, and the shots here are a mix of 4:3 and 3:2.
A couple of things to watch for as you go through these. The 720mm shots are visibly softer than the wide-angle ones — that’s the lens at full extension rather than the processing, and it’s consistent enough that I’d think of the long end as being for reach rather than for critical sharpness. And in dimmer light the camera pushes ISO up quickly to keep shutter speeds usable at f/6.4, so detail starts to smudge from around ISO 800 upward.
You can click on each image to open a full-resolution version if you’d like a closer look.
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₅₀₀ sec at f/5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 720mm (35mm equivalent) focal length @ ISO 2000 and ¹⁄₂₅₀ sec at f/6.4. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 640 and ¹⁄₃₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 720mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₃₂₀ sec at f/6.4. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₈₀₀ sec at f/5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 168mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₂₀₀ sec at f/5.6. Photo by David Coleman / Have Camera Will Travel
Zoomed out at 24 mm @ ISO 100 and ¹⁄₃₀ sec at f/3.5. I’ve included this shot for two specific reasons. Firstly, to look at sharpness across the frame. While it’s definitely softer in the corners, it’s still pretty good. This was shot as a JPG original, and the camera is clearly applying some in-camera sharpening which is helping. Secondly, to look for chromatic aberration, particularly in the sharp, contrasty lines at the far left of the frame and bottom right. There is some, but it’s not much at all and certainly not distracting. It’s also easily fixed in something like Lightroom or DxO PhotoLab. Photo by David Coleman / Have Camera Will Travel
Exposure details: 83mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₅₀₀ sec at f/5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24 mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₄₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 75mm (35mm equivalent) focal length @ ISO 200 and ¹⁄₈₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₀₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 2000 and ¹⁄₃₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 1000 and ¹⁄₃₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 80mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₂₅₀ sec at f/5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₃₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 36mm (35mm equivalent) focal length @ ISO 3200 and ⅕ sec at f/4. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₆₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₆₀ sec at f/7.1. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 200 and ¹⁄₃₀ sec at f/7.1. Photo by David Coleman / Have Camera Will Travel
Exposure details: 720mm (35mm equivalent) focal length @ ISO 160 and ¹⁄₂₅₀ sec at f/6.4. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 640 and ¹⁄₃₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 203mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₄₀₀ sec at f/6.3. Photo by David Coleman / Have Camera Will Travel
Exposure details: 720mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₈₀₀ sec at f/6.4. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₆₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₀₀ sec at f/7.1. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₂₅₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: Zoomed at 25mm (35mm equivalent) @ ¹⁄₅₀₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 44mm (35mm equivalent) focal length @ ISO 200 and ¹⁄₅₀ sec at f/4.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 3200 and ¹⁄₁₅ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 3200 and ¹⁄₂₅ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₄₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₄₀₀ sec at f/5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 30mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₂₀₀ sec at f/7.1. Photo by David Coleman / Have Camera Will Travel
Exposure details: 720mm (35mm equivalent) focal length @ ISO 640 and ¹⁄₂₅₀ sec at f/6.4. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₀₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₂₅₀ sec at f/5. Another shot with the pretty wacky lens flare going on, although in this case it seems somewhat appropriate. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 1250 and ¹⁄₃₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 720mm (35mm equivalent) focal length @ ISO 100 and ¹⁄₂₅₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 720mm (35mm equivalent) focal length @ ISO 800 and ¹⁄₂₅₀ sec at f/6.4. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 1250 and ¹⁄₃₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₅₀₀ sec at f/5.6. Photo by David Coleman / Have Camera Will Travel
Exposure details: 62mm (35mm equivalent) focal length @ ISO 1000 and ¹⁄₈₀ sec at f/4.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 720mm (35mm equivalent) focal length @ ISO 2000 and ¹⁄₂₅₀ sec at f/6.4. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₃₂₀ sec at f/3.5. Some more intrusive lens flare. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₂₀₀ sec at f/6.3. Photo by David Coleman / Have Camera Will Travel
Exposure details: 270mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₈₀₀ sec at f/6.3. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₆₀ sec at f/6.3. Photo by David Coleman / Have Camera Will Travel
Exposure details: 720mm (35mm equivalent) focal length @ ISO 6400 and ¹⁄₈₀₀ sec at f/6.4. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₄₀₀ sec at f/5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₆₀ sec at f/5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 453mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₈₀₀ sec at f/6.3. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₀₀₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₆₀₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₄₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 720mm (35mm equivalent) focal length @ ISO 125 and ¹⁄₂₅₀ sec at f/6.4. Photo by David Coleman / Have Camera Will Travel
Exposure details: 44mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₅₀₀ sec at f/5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 28mm (35mm equivalent) focal length @ ISO 800 and ¹⁄₃₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 200 and ¹⁄₃₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₅₀₀ sec at f/3.5. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₀₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₃₂₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₅₀₀ sec at f/8. This shot shows one of the camera’s quirks. — or, more precisely, the lens’s. When you point it at a very bright light source, like the sun in this shot, you can get some very interesting lens flare. There are one or two others on this page that also show it (eg. the one of the sun through the fall leaves). Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₆₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 138mm (35mm equivalent) focal length @ ISO 2500 and ¹⁄₁₆₀ sec at f/8. Photo by David Coleman / Have Camera Will Travel
Exposure details: 60mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₃₂₀ sec at f/6.3. Photo by David Coleman / Have Camera Will Travel
Exposure details: 511mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₅₀₀ sec at f/6.3. Photo by David Coleman / Have Camera Will Travel
Exposure details: 24mm (35mm equivalent) focal length @ ISO 1600 and ¹⁄₁₀₀ sec at f/8. It’s synthetic grass, and there’s a light layer of snow on it. So the white “noise” on the green is actually a small amount of snow. Photo by David Coleman / Have Camera Will Travel
Exposure details: 31mm (35mm equivalent) focal length @ ISO 80 and ¹⁄₁₂₅₀ sec at f/4. Photo by David Coleman / Have Camera Will Travel
Found this helpful? Personalize your search results.
I take photos for a living. Now based in Washington, D.C., I have spent the last 30+ years shooting across seven continents — from underwater environments to mountain peaks. My images and time-lapses have appeared in major newspapers, magazines, museums, professional sports stadiums, and even on massive architectural scrims covering world-famous buildings.
I started this site in 2009 to field-test gear, share problem-solving solutions, and share what I've learned in shooting around the world. I only review gear and services I have personally used. No armchair opinions — just real-world experience. Because, for me, the fun is in the making of the photo.