The Nikon NIKKOR-Fisheye 16mm f/2.8D lens is designed for Nikon’s F-mount full-frame FX DSLRs. It provides a dramatic wide-angle fisheye look that can be very effective. Here’s a selection of photos I’ve used it on to give a sense of how it performs under real-world shooting conditions.
The images that Nikon’s 16mm f/2.8D fisheye lens produces can be dramatic and punchy. Its ultra-wide-angle viewpoint crams a lot of information inside the frame and adds a lot of the distinctive fisheye distortion.
With a fast maximum aperture of f/2.8, it’s fast enough to work well in low-light interiors. And it’s a lot smaller and lighter than something like the Nikon 14-24mm — so much so that it can make a real difference in putting together a lightweight travel kit. It’s small enough just to throw in the bag without having to displace something else. And it’s much smaller than the Nikon 8-15mm fisheye, which, although an excellent fisheye lens, is much larger and heavier.
Overall, this 16mm f/2.8D fisheye is a very appealing package, and I’ve been very pleasantly surprised at how useful I’ve found it. It’s a lens I keep pretty much constantly on-hand when I’m traveling.
Here’s a collection of photos I’ve taken with the Nikon 16mm f/2.8D Fisheye lens to give a sense of how it performs in real-world shooting.
The lens’s shooting data is under each photo, and if you’d like a closer look, click on an image to open a full-size version.
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/4. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/3.2. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/4. The lens came in very handy here in a very tight space of a zodiac charging through icy waters in Antarctica. We were zipping along at full speed, and the light was fading, but I was still able to get a shot. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/4. The natural curvature of the lens can help accentuate the natural curves in a circular space like the main hall of the National Gallery of Art in Washington DC. Photo by David Coleman / Have Camera Will Travel
This photo was taken with a Nikon 16mm f2.8D Fisheye lens on a NIKON D800 at 16mm and f/2.8. The wide aperture and wide focal length combine well to enable hand-held shots where a longer focal length might not such as this shot of London’s Tower Bridge at dusk. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/5.6. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and ƒ / 2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and ƒ / 2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and ƒ / 8.0. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and ƒ / 3.5. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and ƒ / 11. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and ƒ / 2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/8.0. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
This photo was taken with a Nikon 16mm f2.8D Fisheye lens on a NIKON D800 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/5.6. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/5.6. For this shot of the bridge of a ship in Antarctica, I wanted to include some of the icebergs in the channel we were navigating through along with the inside of the bridge. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
This photo was taken with a Nikon 16mm f2.8D Fisheye lens on a NIKON D800 at 16mm and f/2.8. The distortion can be useful. This shot shows off the scarred heat shield on the belly of the Space Shuttle Discovery at the Smithsonian Air and Space Museum. Photo by David Coleman / Have Camera Will Travel
This photo was taken with a Nikon 16mm f2.8D Fisheye lens on a NIKON D800 at 16mm and f/4. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
This photo was taken with a Nikon 16mm f2.8D Fisheye lens on a NIKON D800 at 16mm and f/6.3. Photo by David Coleman / Have Camera Will Travel
This photo was taken with a Nikon 16mm f2.8D Fisheye lens on a NIKON D800 at 16mm and f/5. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/4.5. Photo by David Coleman / Have Camera Will Travel
This photo was taken with a Nikon 16mm f2.8D Fisheye lens on a NIKON D800 at 16mm and f/4. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/7.1. So long as you get the horizon in the center, it is possible to get straight horizons. But the further away from the center the more pronounced is the bowing. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/3.2. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/2.8. Winston Churchill’s wartime bedroom and office in the Churchill War Rooms in London is both a tight space and dimly lit but has a lot of interesting information on the walls to capture. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/11. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/3.2. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/5.6. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/3.2. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/5. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/5. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/5. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/8.0. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/4. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/2.8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/5. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/8.0. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/8. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/5. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/4.5. Low light in the courtyard of Istanbul’s New Mosque. Handheld. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/5. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D810 at 16mm and f/3.5. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/11. This shot, taken of royal barges at Istanbul’s Naval Museum, demonstrates how the barrel distortion is strongest away from the center of the frame. If you keep the horizon in the center of the frame you can get it straight. The more you tilt away from the center of the frame, the strong the bend. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/5.6. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/3.2. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/5.6. Photo by David Coleman / Have Camera Will Travel
Photo taken with a Nikon 16mm f/2.8 fisheye lens on a NIKON D800 at 16mm and f/4. Photo by David Coleman / Have Camera Will Travel
Price & availability
This is an old model now and long discontinued. But they do turn up on the used market. Because there’s not yet any native Z-mount fisheyes, though, it’s still in quite high demand.
NB: In some of the used listings, you might see an AI-S version. That one is manual focus. The “D” version that I’m discussing here is autofocus.
Tech specs
Nikon AF Fisheye-NIKKOR 16mm f/2.8D Lens specifications
Identity
Model
Nikon AF Fisheye-Nikkor 16mm f/2.8D
Product code
1910
Mount
Nikon F bayonet (FX/35mm)
Introduced
November 1993
Optics
Focal length
16mm
Maximum aperture
f/2.8
Minimum aperture
f/22
Lens construction
8 elements in 5 groups
Diaphragm blades
7
Angle of view (FX/35mm film)
180° diagonal (full-frame fisheye)
Angle of view (DX/APS-C)
107° diagonal
Projection type
Equidistant
Coating
Super Integrated Coating (SIC / Nikon NIC process)
Diaphragm
Fully automatic, full-aperture metering
Focus
Focus type
Autofocus via body screw-drive coupling (no in-lens focus motor); D-type CPU lens
Focus system
Internal Focusing (IF) with Close-Range Correction (CRC / floating element)
Minimum focus distance
0.85 ft (0.25 m)
Maximum reproduction ratio
1:10 (0.10×) at minimum focus
Distance information
Output to camera for 3D Matrix metering / 3D fill-flash
Physical
Weight
Approx. 290 g (10.2 oz) manufacturer spec (also cited 285 g); 292.6 g (10.32 oz) measured with mandatory rear filter, no caps
Dimensions
Approx. 63mm max diameter × 57mm projection from flange; overall length approx. 68mm (2.7 in)
Weather sealing
None (no gasket, exposed front element)
Hood
Built-in petal hood, non-removable (protective only, not effective as a shade)
Filters
Filter type/size
39mm rear-mount bayonet glass filters (L37C, O56, A2, B2) — one must always be fitted
Front filter thread
None (bulbous front element)
Included accessories
Included
Slip-on front cap, rear cap, four bayonet filters (L37C, A2, B2, O56), Filter Case CA-2
Compatible accessory
Flexible Lens Pouch CL-0715
Other notable
Historical note
Per Nikon, the world's first fisheye lens with close-range correction (CRC/floating-element) system
Adapted use on Z-mount (via FTZ/FTZ II)
Manual focus only (no screwdriver motor in FTZ); full metering, EXIF, and IBIS focal-length data still function
Status
Legacy AF-D design, intermittently available new plus Nikon refurbished, plus abundant used market
Key accessories
Filters. Because of the curved front element, this lens doesn’t take traditional screw-on filters, which is a pretty standard limitation of fisheye lenses. Instead, it uses dedicated drop-in filters at the rear bayonet. It comes with four filters included: L37 UV, 056 Orange, A2 Amber, B2 Blue.
Lens Hood. The petal-shaped lens hood is permanently attached to this lens. It helps a little with lens flare from light sources nearly 90 degrees to the lens, but it helps even more with protecting the front glass element from scratches and damage.
Case. It comes with a soft pouch. You can order a replacement part–it’s model number CL-0715 — or use pretty much any small lens pouch or case.
Front Lens Cap. The front lens cap is a slip-on cover rather than a more common snap-on filter. It’s a 61mm slip-on front lens cover.
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Rear Lens Cap. It uses a standard Nikon F-mount rear lens cap (model LF-4).
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I take photos for a living. Now based in Washington, D.C., I have spent the last 30+ years shooting across seven continents — from underwater environments to mountain peaks. My images and time-lapses have appeared in major newspapers, magazines, museums, professional sports stadiums, and even on massive architectural scrims covering world-famous buildings.
I started this site in 2009 to field-test gear, share problem-solving solutions, and share what I've learned in shooting around the world. I only review gear and services I have personally used. No armchair opinions — just real-world experience. Because, for me, the fun is in the making of the photo.