The Sony a7R III has a well-earned reputation for low-light shooting. It has a superb full-sized sensor and a wide ISO range, going from 50 through 102400. But that doesn’t mean that the top end of the ISO range has the same image quality as at the low end.
You would naturally expect a few areas to suffer. The first is noise and/or mottling. Post-processing noise reduction apps aren’t quite the post-processing staple that they used to be, but that doesn’t mean that sensor noise isn’t an issue anymore. A second area that suffers is dynamic range.
The Sony is neck and neck with the Nikon D850 in leading the pack in terms of dynamic range. The third aspect that suffers is color rendition. At the very top end, colors tend to get washed out, less accurate, and sometimes end up in strange casts.
As you go higher up the ISO scale, all of these areas that affect image quality tend to suffer, and that’s something that’s standard to all digital camera sensors. The question becomes, “just how bad is it?”
Sony a7R III ISO Range Sample Images
DXOMark has some great technical performance tests on the Sony a7R III’s ISO. What I wanted to do is a different approach, looking at real-world, practical examples.
Here’s a collection of images across the range of available ISO values on the a7R III. These were all shot in aperture priority mode on a tripod with manual ISO settings. They were shot in RAW+JPG, and you can download both versions for each image in the links in the captions. Other settings were automatic white balance, Adobe RGB colorspace. There hasn’t been any post-processing applied, and you download the original JPGs as they were straight out of the camera.
The original RAW files for the images in this post are available to subscribers to my newsletter on the RAW file downloads page. The page is password-protected; the password is in the newsletter’s welcome email. The JPG versions linked in the captions stay free.
To give the best idea of what the camera does, I deliberately haven’t done anything to improve the images or mitigate the effects of the high ISO settings. But that’s obviously something you can tackle in software like Lightroom or any of the other image processing apps, especially if you shoot in RAW.
And with these, I deliberately shot something with smooth tonal gradations from light to dark so as to show up any issues with noise. It’s also a good subject to test dynamic range.
With the small versions embedded below it’s hard to see any real differences aside from the obvious color issues at the high end, so I’ve included links to the original straight-out-of-camera versions of both the JPG and RAW files.
ISO 50
ISO 64
ISO 80
ISO 100
ISO 125
ISO 160
ISO 200
ISO 250
ISO 320
ISO 400
ISO 500
ISO 640
ISO 800
ISO 1000
ISO 1250
ISO 1600
ISO 2000
ISO 2500
ISO 3200
ISO 4000
ISO 5000
ISO 6400
ISO 8000
ISO 10000
ISO 12800
ISO 16000
ISO 20000
ISO 25600
ISO 32000
ISO 40000
ISO 51200
ISO 64000
ISO 80000
ISO 102400
Price & availability
Check the current price and availability of the Sony a7R III at:
- B&H Photo
- Adorama
- Amazon
- Camera House (Australia)
The images above were shot with the Sony a7R III. Sony has since released the a7R IIIA. It improves the resolution of the back screen and adds USB-C 3.2 compatibility but is otherwise identical.
Sorry but Sony not allowing HIGH ISO NR using RAW is unacceptable. Nikon and Canon have had it for years. A friend told me that ISO3200 for Astrophotography is the worst ISO to use on the A7Riii. I don’t shoot night astro images that often but when I do I expect to be able to use in camera noise reduction. I now have to carry 2 camera systems if I’m in the mood for sunset and night photography thanks to Sony.