Mount Your Camera Just About Anywhere with the Platypod Pro

It’s a baseplate with tripod studs and a few screws. But this tiny package is a surprisingly flexible way to mount a camera.

. Photo by David Coleman - havecamerawilltravel.com
Text & Photos By David Coleman
Last Revised & Updated:
Filed Under: Tripods & Supports
Topics: Platypod

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The Platypod Pro Deluxe kit is the smaller original plate bundled with straps and spiked feet — a wallet-sized camera support for parapets, poles, and ground-level shots. Hands-on below; the Platypod line continues today.

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The idea behind the Platypod Pro is pretty simple. It’s a metal baseplate with holes drilled into it and a couple of tripod studs fused into it.

But the elegance of the system is that the simplicity actually opens oodles of flexibility. So it becomes a really handy addition to your travel camera kit and takes up barely any space in your camera bag.

It doesn’t exactly replace a tripod, although it certainly can in many situations. And it also opens up more possibilities for mounting in places that wouldn’t work with a tripod. But its most compelling feature is its size. It’s so small and compact that you can easily leave it in your camera bag just in case. With the Platypod Pro and a compact travel head, you’re not ready for anything, exactly, but it’s surprising how often it can come in useful.

Since I originally posted this review, the Platypod Pro has been discontinued. The most direct replacement for it is the Platypod Ultra, which adds a number of refinements. There is also the larger Platypod Max, which is designed for larger cameras.

If you need to bolt the plate to a wall or some kind of platform, you can. And if you want to use it as a mini-tripod, you can. Attach a tripod head or put the camera directly on it. They all work, and the usage scenarios are endless.

Using the Platypod Pro with its spiked feet on uneven cobblestones in Lisbon, Portugal, with a Nikon D810 and an Oben BE-117 ballhead.
Using the Platypod Pro with its spiked feet on uneven cobblestones in Lisbon, Portugal, with a Nikon D810 and an Oben BE-117 ballhead. Photo by David Coleman / Have Camera Will Travel

The basics

Platypod Pro

The baseplate is simple. The bottom is completely flat, so you can mount it flush against another flat surface. Four holes are pre-cut to make that easier.

Platypod Pro
Photo by David Coleman / Have Camera Will Travel

The things that set it apart from just being a plate of metal with holes in it are the two tripod studs that are fused into the plate. They provide solid anchor points for things like tripod heads or cameras, and there’s no protrusion on the underside.

Platypod Pro
There are two tripod studs on the top. The larger one, a 3/8-16, is the standard for attaching tripod heads. There is also a smaller 1/4-20 stud, which is more common as the standard size and thread that fits into the bottom of most cameras. Photo by David Coleman / Have Camera Will Travel
Platypod Pro
Photo by David Coleman / Have Camera Will Travel

The “legs” are entirely optional. If you want to simply lay the plate on the ground, you can. But you can also use the three screw spikes as a kind of mini-tripod. The corresponding holes are threaded, so you can adjust their height. And the screws are reversible, so you can use them as sharp metal spikes for grip or use the ends with the plastic covers if you don’t want to scratch the surface of whatever you’re putting it on.

Platypod Pro
The “legs” go into three threaded holes. They’re reversible, so you can use the sharp, spiked end or the end with the soft plastic cap. Photo by David Coleman / Have Camera Will Travel

It is possible to mount a camera on it directly, but I’ve found it far more useful with a small travel tripod head. In this example, I’m using an Arca Swiss Monoball p0 ballhead, but a more logical and cost-effective option when using a DSLR or mirrorless camera is something like the Oben BE-117.

PlatyPod Pro Deluxe with Arca Swiss Ballhead
Photo by David Coleman / Have Camera Will Travel

It’s available in different configurations. In the Deluxe Kit, which is what I use, it comes with the spikes and a nifty case that be used either flat or converted to a boxier case that you can also put your ball head in.

Platypod Pro
Photo by David Coleman / Have Camera Will Travel
Platypod Pro
The case is convertible. In its standard profile it packs flat, but you can also fold it out to more of a box shape so that you can also fit in a small tripod head or other small accessories. Photo by David Coleman / Have Camera Will Travel
Platypod Pro
Photo by David Coleman / Have Camera Will Travel

Specs

The plate is 5 inches long (12.7 cm) and 3 inches wide (7.6 cm).

It has a nominal load capacity of 90 pounds, but in practice, it’s going to be highly dependent on balancing the center of gravity safely. And chances are that any tripod head you put on it will have a load capacity well below that.

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The naked plate weighs about 3.2 ounces (90 grams), and with the three screw legs, it’s 4.2 ounces (122 grams).

The case that comes in the Deluxe Kit is 5 ounces by itself (142 grams).

Need something bigger? Meet Max

I’ve found the Platypod Pro to work great with mirrorless and small cameras. It works quite well with DSLRs, but it’s not as stable as I’d prefer when using with a large DSLR like a Nikon D810, especially with the risk of it tilting sideways. And I don’t, and wouldn’t, use it with longer, heavier lenses where the center of gravity is shifted.

But the folks behind Platypod are creating have created a bigger version, the Platypod Pro Max.

Pros & cons

I don’t necessarily consider the Platypod Pro as a replacement for a tripod (and it’s not pitched as one by the manufacturer). There are situations where it just doesn’t give you the options that a good travel tripod does. But there are also a lot of situations where a tripod is less than ideal but that the Platypod excels.

There are many studio or other permanent mounting situations where it can be handy to be able to bolt a baseplate directly onto something else. And the Platypod Pro is very good for that. But I’m focusing here on using it as a portable solution for travel photography.

And there are many positives to using it for that. It’s small, light, and discreet, and a lot easier to carry around than a tripod. There’s not much to break or fail even with the harshest treatment while traveling. And it can stand on all sorts of surfaces, both flat and uneven, from dirt, to cobblestones, to wooden fences. But there are also a few cons. Until the Max comes out, with its larger footprint providing more stability, the Platypod Pro can tip over sideways if you’re not careful when using a heavier DSLR, especially with the added height leverage when using a tripod head. And as simple as the screw/spikes are to use, they can also be a little tedious to attach and remove when on the go.

But overall, it can be a very useful tool to have in your camera bag. And it hardly takes up any space at all.

On a curved marble banister in [Sintra](https://havecamerawilltravel.com/tag/sintra-portugal/), [Portugal](https://havecamerawilltravel.com/europe/portugal/), with an Oben BE-117 ballhead and a Ricoh GRII mirrorless camera.
On a curved marble banister in Sintra, Portugal, with an Oben BE-117 ballhead and a Ricoh GR II mirrorless camera.

Price & availability

The Platypod Pro is no longer available, but two newer models are.

The most direct replacement for this model is the Platypod Ultra, which is similar but adds a number of refinements.

If you’re using a larger camera or video rig, the bigger Platypod Pro Max provides a more stable standing platform.

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David Coleman

I take photos for a living. Now based in Washington, D.C., I have spent the last 30+ years shooting across seven continents — from underwater environments to mountain peaks. My images and time-lapses have appeared in major newspapers, magazines, museums, professional sports stadiums, and even on massive architectural scrims covering world-famous buildings.

I started this site in 2009 to field-test gear, share problem-solving solutions, and share what I've learned in shooting around the world. I only review gear and services I have personally used. No armchair opinions — just real-world experience. Because, for me, the fun is in the making of the photo.

You can see my travel photography here, license my images or buy prints here, or sign up for my Substack.

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